Writing Class
The poet presents himself as a dichotomy.
Whatever is apparent becomes obscured,
and all the luscious facts wither into hard statistics.
Born here, did that, intended something else
but I forget what. The intruding ‘I’.
The breakneck speed on machines of make-believe
which finally slow motion curve into the cemetery.
Alibis salute the endless proud moments
passing in formal parade. I returns to me and
assumes him. The biography keeps breaking in
to the picture, looking for safety pins or paper clips or
a staple gun, anything to fence out
layers of advice peeling from public walls:
reality is for people who can’t cope with art.
Written words line up like bright pills in a glass case,
your fingers turning the key.
Time is for people who can’t stop.
Rigor mortis keeps looking at the clock.
Mein began creating “textile pictures” in 1977, applying an almost forensic level of detail to her exploration of the natural world. She eschewed the “quintessential”...
Whisson was born in Lilydale, Victoria in 1927 and died in 2022 in Sydney. Finding formal training uninspiring he enrolled in an experimental school at...
Jordan Wolfson first came to the attention of the hermetically sealed New York art world with his work Real Violence, which was shown as part...
It is surprising to think this is the first full length documentary feature on the iconoclastic Kamilaroi, Kooma, Jiman, and Gurang Gurang artist Richard Bell,...
As many artists of his generation experienced, if as a student you showed the slightest creative inclination but also demonstrated academic ability you were funnelled...
Paul Selwood is one of Australia’s foremost sculptors, creating fluid, complex works, often from a single sheet of steel.
Luke Sciberras’s art is the product of a quarter-century of experiencing the landscape with all his senses. Most recognised for his expressive paintings of Australian...
A Great-Grandchild caressing the hands of her Great-Grandmother, reveals a life journey of profound strength and resistance to the cruelty and burden of colonial history,...
Embraced in the Loving Arms of an Algorithm – v1.1 (ELAAA v1.1), is a stark, but intellectually rich and timely exhibition that claims to be...