Artist Profile - The Artists Behind The Art

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“Yuriyal Eric Bridgeman’s recent paintings app

Deborah Ely pays a moving and elegant tribute to t

Denzidog’s pick this week is . . . Vipoo Srivila

Denzidog’s pick this week is . . . Vipoo Srivilasa: Deities of Daily Needs at N.Smith Gallery, Sydney. 🐾

Make sure you get in to see the exhibition before it ends on the 30th of November!

Remember to keep an eye out for Denzidog at an exhibition near you! 👀🐾

Image: Installation view of Vipoo Srivilasa: Deities of Daily Needs at N.Smith Gallery, Sydney, 2024. Photographed by Justine Muller

For issue 69 of Artist Profile, Lucy Hawthorne spo

“Catherine Murphy’s studio, she warns in advan

Jimmy Rix: Sculpture, Ceramics and Jewellery On

Jimmy Rix: Sculpture, Ceramics and Jewellery

On view at Australian Galleries in Melbourne until 7 December 2024.

Jimmy Rix’s exhibition showcases his deep connection to the environment, featuring sculptures, ceramics, and jewellery inspired by local wildlife, landscapes, and celestial themes. Returning to his first love of ceramics, Rix also debuts his jewellery, viewing it as an extension of his sculptural practice. His work reflects his rural upbringing and lifelong exploration of artistic mediums.

@australiangalleries
@jimmyrix

Image: Steam train passing through Taradale, 2024, bronze (wall sculpture), 94 x 113 x 4 cm

“Artificial intelligence is a spectral presence

“There’s no painter quite like Richard Larter

“There’s no painter quite like Richard Larter (1929-2014). After emigrating from Britain with his wife Pat and young family in 1962 and settling in Luddenham on the semi-rural outskirts of Sydney, Larter had his first exhibition at Watters Gallery in 1965. Over the next decade, he became a renegade in the Australian art scene (represented in Melbourne by Niagara Galleries) with his genre-busting combinations of abstraction and figuration, his political and pornographic subject matter, his playful yet direct challenges to censorship, prudishness, and narrow-mindedness of any kind.”

Susie Burge writes in issue 69 about Richard Larter’s life and practice.

Larter’s work can be seen in an exhibitions at Utopia Art Sydney, until 23 November, and Drill Hall Gallery ANU, until 19 January 2025.

@utopiaartsydney
@drillhallgallery

Image: Party at Opera House Site, 1965, syringe enamel on board, 122 x 91 cm

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