People Like Us
Showcasing the innovative and experimental technologies used by artists today, the latest show at UNSW Galleries comments and engages in a dialogue with confronting issues of the 21st century. This international art and technology exhibition balances film, animation, digital and interactive art. Combining contrasting concepts of ‘real’ and ‘unreal’, the underpinning focus is creating the real human experience through technological engagement. Highly interactive, this exhibition is set to engage and excite as we re-evaluate what a common human experience is today.
EXHIBITION
UNSW Galleries, Sydney
5 September – 7 November
www.artdesign.unsw.edu.au
Image: Su-Mei Tse, Son pour Insomniaques (Sound for Insomniacs), 2007, 5 framed colour photographs, 2 plywood stools, MP3 players, headphones.
Courtesy the artist and Peter Blum Gallery, New York
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...