Lincoln Austin | Sometimes I like to Pretend I’m A Robot
Medium is as varied as subject in Lincoln Austin's twentieth solo exhibition 'Sometimes I like to pretend I'm a robot'.
Divided between separate gallery spaces, Austin presents the exhibition in three parts comprising, coloured sculptural, two-dimensional and video works; black, white, and black-and white works (in the form of sculptures, embossings and inkjet prints); and a work that merges mediums in a video-sculptural installation.
With a focus upon optics and illusions, the works embrace the visual. The hand-crafted static artworks come to life once the viewer is engaged. Austin’s compositions play with the eye to extend the lines of paintings, or the movement of sculptures out into the viewer’s space.
Linked by concept rather than material, Austin’s prowess as an artists is on full display with his diverse sculptures made of wire, rock, glass, acrylic, aluminium, fibreglass fly-wire and wax nylon thread. Shown together there is movement between the delicate and the solid, the ephemeral and the tactile.
Partnered alongside the three-dimensional are shimmering two-dimensional works made of nylon tulle and matte board. As with his sculptures and video work, the nylon works play with optics – the textural shimmer catching the light creating movement as the eye moves along the geometric works.
‘Sometimes I pretend I’m a robot’ thrives on its affinities but even more so its diversity of form and content. Highly engaging, it presents an artist that is continually pushing himself in different directions and mediums, yet inherently anchored by his fascination with the optic.
EXHIBITION
Lincoln Austin | Sometimes I like to pretend I’m a robot
Until 25 November
Andrew Baker Art Dealer, Brisbane
Courtesy the artist and Andrew Baker Art Dealer, Brisbane.


For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The girl with...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...