Issue 12
| September 3, 2010
Our Issue 12 cover artist George Gittoes tells of his award-winning career as a painter and documentary maker in the world’s most troubled hotspots. We also meet with feminist icon Deborah Kelly; Tim Maguire unveils his latest foray into film; and Joe Frost discusses bad language in art criticism.
Featuring
George Gittoes
Deborah Kelly
Also Inside
Lara Merrett
Moya Mckenna
Tim Maguire
Penny Byrne
Godwin Bradbeer
Giacomo Costa
Plus Essays, Reviews, News
Joe Frost on Cliched Art Terms
Laura Fischer on Ethics in Indigenous Art
Steve Lopes on Leon Golob
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...