Exhibition: Hanga: Modern Japanese Prints
The dynamic art of Japanese printing and its ongoing legacy is showcased in this latest exhibition.
Including over sixty works from the Gallery’s collection of Japanese prints created after 1950, it shows the development of innovations in technique and style. Japanese culture is renowned for its centuries-old foundation in printmaking. The exhibition stays true to this. Artists have drawn from ancient techniques and imagery whilst incorporating and experimenting with new forms and technologies. Featured are some of the key figures of the sosaku-hanga (creative print) movement, Kiyoshi Saito and Kawano Kauro, as well as new innovators who reconfigure traditional imagery and modes of production. Styles of abstraction and minimalism are blended with graphic design. The exhibition is vibrant display of a range of internationally influenced styles.
EXHIBITION
Queensland Art Gallery
16 August – 8 March
Stanley Place, Cultural Precinct
South Bank, Brisbane
Image: Tadanori Yokoo, Ap devaloka (from ‘Shambala’ portfolio), 1974, photo screenprint with offset text on hand laid paper. Ed. 57/75
Courtesy the artist and Queensland Art Gallery
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...