The Dealer is the Devil
The story of the modern Aboriginal art movement is the most exciting and transcendent chapter of contemporary Australian history. Within the space of just 40 years, indigenous artists transformed the perception of their culture from something of strictly ethnographic interest into one of the great internationally acclaimed contemporary art movements of all time.
Part road trip, part memoir, part history, part political commentary, The Dealer is the Devil is a thought-provoking look at what goes on behind the scenes of the art industry.
The book is a page turner and often reveals exciting and racy accounts of the fluctuating fortunes and exponential success of the Aboriginal art movement, with all of the elements one would expect of a complex drama, played out on a national and international stage. Political posturing, personal aggrandisement, commercial skullduggery and greed all play their part.
Author: Adrian Newstead
Publisher: Brandl & Schlesinger
RRP: $49.95
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...