Issue 6
| July 4, 2008
News
Brief
Deadlines
Profiles
Kate Shaw
Mark Hilton
John R Walker
Arlene TextaQueen
Peggy Wassi
Greer Honeywill
Hitesh Natalwala
Iñigo Manglano-Ovalle
Anne Wienholt
Shaun Gladwell
John Passmore
Features
WA: Anne Sanders visits the studios of artists working in Western Australia
The Resurrectionists: Ashley Crawford surveys a new generation of drawing
The Golden Age: Sam Leach on painting with Rijksmuseum Curator Pieter Roelofs
Process
Perspective: Steve Lopes Meeting the masters
Perspective: Joe Frost No new ideas
Technical: Oils just ain’t oils
Review: Kurt Schranzner and Tony Tuckson
Book Reviews
Reg Mombassa: On Golden Sandals
Paul Burrows: Film renaissance
Must See Exhibitions
Final Word: Anwen Keeling
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...