Issue 5
| March 2, 2008
News
Brief
Deadlines
Profiles
Matthew Hopkins
Kushana Bush
eX de Medici
David Fairbairn
Viv Miller
Steve Bowers
Alick Tipoti
Jitish Kallat
Karl Wiebke
Anna Hoyle
Paula Rego
Karel Nel
Richard Woldendorp
Feature
The Art of Noise: Artists as Musicians
Process
Perspective: Steve Lopes
Substance Abuse
Perspective: Joe Frost
Conversations from the Field
Technical: The People behind the Paint
Book Review: Irena Sibley
Books
Reg Mombassa: Our Daily Bread
Review: Joe Furlonger and Jun Chen
Ray Hughes Gallery, Sydney
Essay: Philip Wolfhagen
Must See Exhibitions
Final Word: Jazmina Cininas
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...