Issue 5
| March 2, 2008
News
Brief
Deadlines
Profiles
Matthew Hopkins
Kushana Bush
eX de Medici
David Fairbairn
Viv Miller
Steve Bowers
Alick Tipoti
Jitish Kallat
Karl Wiebke
Anna Hoyle
Paula Rego
Karel Nel
Richard Woldendorp
Feature
The Art of Noise: Artists as Musicians
Process
Perspective: Steve Lopes
Substance Abuse
Perspective: Joe Frost
Conversations from the Field
Technical: The People behind the Paint
Book Review: Irena Sibley
Books
Reg Mombassa: Our Daily Bread
Review: Joe Furlonger and Jun Chen
Ray Hughes Gallery, Sydney
Essay: Philip Wolfhagen
Must See Exhibitions
Final Word: Jazmina Cininas
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...