Issue 4
News
Brief
Deadlines
Profiles
Nigel Milsom
Sangeeta Sandrasegar
Euan Macleod
Sara Hughes
Robert Juniper
Isidro Blasco
Emma Walker
Dadang Christanto
Enrique Martinez Celaya
Michael Zavros
Features
Opinion: Sebastian Smee
History: Joy Hester
Opinion: Richard Larter
Institution: Artist Run Initiatives
Process
Exhibition: Biennale of Sydney
Raquel Ormella and TV Moore
Trevor Weekes: On Walton Ford
Process: The Rug Project
Exhibition: The Lost Buddhas
Art Gallery of New South Wales
Perspective: Steve Lopes
Easy On Your Own
Perspective: Joe Frost
Conversations from the Field
Technical: Gouache
Reg Mombassa: On Colin McCahon
Books
Subscribe
Focus: Bill Brown
Wilson Street Gallery
Must See Exhibitions
Final Word: Noel McKenna
Cover Euan Macleod in his studio
Photography Tony Lopes
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...