Issue 4

We’re looking both down through history and up into a tentative mythology in Towers of the Goddess, 2018–22. Layers build upon each other as our...

Peter Hudson’s portraiture is some of his most celebrated work. Finely attuned to the sensibility of each subject, and working deftly with oils, Husdon captures...

In an introductory essay to the National Works on Paper exhibition for 2022, Jenna Lee writes that “paper is part of our everyday lives, and it’s that...

The subject of my paintings is often very personal, but I approach it with a sense of vagueness, allowing the materials to inform the work....

The central figure in Cats on toast, 2022, has their back to us, the checks on a flannel shirt giving perhaps the most telling clue...

Vivienne Binns: On and through the Surface is titled after a phrase that Binns often used when discussing her works with  Anneke Jaspers (senior curator, collection,...

Sachs was renowned as a rigorous practitioner as both an artist and a teacher. He had lectured in art since 1989 at the Victorian College...

Good ideas don’t have to be unnecessarily complicated. Painters on Pots is straightforward enough: find some artists who work with paint, and introduce them to...

What differentiates Female Drivers from the recent tide of exhibitions of women’s work – represented in their most block-busting form by the National Gallery of Australia’s...