Issue 3
| January 1, 2008
News
Brief
Interview: Peter Garrett
Deadlines
Profiles
Jess MacNeil
Rohan Wealleans
Louise Hearman
Maria Fernanda Cardoso
Idris Murphy
Features
New Delhi: Thukral & Tagra
Beijing: Ai Weiwei
Opinion: Sebastian Smee
Opinion: Glenn Barkley
London: Banksy
Interpret: Sam Leach on Chris Bond
Process
Masterclass: Tony Tuckson
Chuck Close
Exhibition: Turner To Monet National Gallery of Australia
Garth Lena
Exhibition: Bill Viola Kaldor Art Projects & AGNSW
Institution: KickArts Cairns
Shonah Trescott
Perspective: Search and Destroy
Technical: Acrylics
Process: Benja Harney
Multiples
Books
Project: Reg Mombassa
Subscriptions
Must See: Exhibition Picks
Project: Trevor Weekes
Cover Louise Hearman in her studio. Photography Peter Panopoulos
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...