Issue 3
| January 1, 2008
News
Brief
Interview: Peter Garrett
Deadlines
Profiles
Jess MacNeil
Rohan Wealleans
Louise Hearman
Maria Fernanda Cardoso
Idris Murphy
Features
New Delhi: Thukral & Tagra
Beijing: Ai Weiwei
Opinion: Sebastian Smee
Opinion: Glenn Barkley
London: Banksy
Interpret: Sam Leach on Chris Bond
Process
Masterclass: Tony Tuckson
Chuck Close
Exhibition: Turner To Monet National Gallery of Australia
Garth Lena
Exhibition: Bill Viola Kaldor Art Projects & AGNSW
Institution: KickArts Cairns
Shonah Trescott
Perspective: Search and Destroy
Technical: Acrylics
Process: Benja Harney
Multiples
Books
Project: Reg Mombassa
Subscriptions
Must See: Exhibition Picks
Project: Trevor Weekes
Cover Louise Hearman in her studio. Photography Peter Panopoulos
Visually, the work unfolds like a page from a storybook. Figures appear to stand together, perhaps even holding hands. Boe’s work references the proclamation boards...
Genuine reflection, the quiet, unresolved, sometimes uncomfortable kind, feels increasingly rare. We are seldom invited to sit with what we do not yet understand. This...
As the title Westwood | Kawakubo suggests, the National Gallery of Victoria’s (NGV) latest fashion exhibition plays to the idea that these two titans of...
Operating within a commercial framework yet not representing artists, Project8 allows for a greater sense of curatorial freedom, privileging thematic and carefully considered exhibitions over...
Ron Mueck’s shockingly alive sculptures hit us at many points along the pathway from birth to death. But it’s more than just mortal decay that...
Women Photographers 1900–1975: A Legacy of Light draws on more than 300 photographs and photomedia from the National Gallery of Victoria’s (NGV) collection and the...
Motet Fail, 2026, reshapes Artist Run Initiative, West Space into an immersive backgammon board that operates as a site of reflection, encounter, and quiet concert....
Carvings have been made for all time by Aurukun men. However, the more recent innovation to emerge from Aurukun are paintings. Vested in Country and...
A stone’s throw from the Illawarra escarpment at Campbelltown Arts Centre, the introduction to Draper’s ecosphere is a gathering of rainbow forms which, as an...