Issue 3
| January 1, 2008
News
Brief
Interview: Peter Garrett
Deadlines
Profiles
Jess MacNeil
Rohan Wealleans
Louise Hearman
Maria Fernanda Cardoso
Idris Murphy
Features
New Delhi: Thukral & Tagra
Beijing: Ai Weiwei
Opinion: Sebastian Smee
Opinion: Glenn Barkley
London: Banksy
Interpret: Sam Leach on Chris Bond
Process
Masterclass: Tony Tuckson
Chuck Close
Exhibition: Turner To Monet National Gallery of Australia
Garth Lena
Exhibition: Bill Viola Kaldor Art Projects & AGNSW
Institution: KickArts Cairns
Shonah Trescott
Perspective: Search and Destroy
Technical: Acrylics
Process: Benja Harney
Multiples
Books
Project: Reg Mombassa
Subscriptions
Must See: Exhibition Picks
Project: Trevor Weekes
Cover Louise Hearman in her studio. Photography Peter Panopoulos
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...