Issue 3
News
Brief
Interview: Peter Garrett
Deadlines
Profiles
Jess MacNeil
Rohan Wealleans
Louise Hearman
Maria Fernanda Cardoso
Idris Murphy
Features
New Delhi: Thukral & Tagra
Beijing: Ai Weiwei
Opinion: Sebastian Smee
Opinion: Glenn Barkley
London: Banksy
Interpret: Sam Leach on Chris Bond
Process
Masterclass: Tony Tuckson
Chuck Close
Exhibition: Turner To Monet National Gallery of Australia
Garth Lena
Exhibition: Bill Viola Kaldor Art Projects & AGNSW
Institution: KickArts Cairns
Shonah Trescott
Perspective: Search and Destroy
Technical: Acrylics
Process: Benja Harney
Multiples
Books
Project: Reg Mombassa
Subscriptions
Must See: Exhibition Picks
Project: Trevor Weekes
Cover Louise Hearman in her studio. Photography Peter Panopoulos


Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...