Issue 7
| August 4, 2008
Featuring
Judy Millar – Painting for Venice
Also Inside
Jeffery Smart
Julia Deville
Hernan Bas
What
Kill Pixie
Dani Marti
Xing Danwen
Plus Essay, Reviews and News
Essay: Elizabeth Farrelly
Art in the fast lane
Perspective: Steve Lopes Interview with the late James Gleeson
Opinion: Art prizes will ruin you
Perspective: Joe Frost
Conversations from the Field III
Technical: Tools of the trade
Review: Horace Trenerry at AGNSW
Reg Mombassa
Must See Exhibitions
Final Word: Gina Bruce
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...