Issue 7
| August 4, 2008
Featuring
Judy Millar – Painting for Venice
Also Inside
Jeffery Smart
Julia Deville
Hernan Bas
What
Kill Pixie
Dani Marti
Xing Danwen
Plus Essay, Reviews and News
Essay: Elizabeth Farrelly
Art in the fast lane
Perspective: Steve Lopes Interview with the late James Gleeson
Opinion: Art prizes will ruin you
Perspective: Joe Frost
Conversations from the Field III
Technical: Tools of the trade
Review: Horace Trenerry at AGNSW
Reg Mombassa
Must See Exhibitions
Final Word: Gina Bruce
The rise of China’s private museum sector emerged from a particular historical moment. Following the global financial crisis of 2008, sustained economic growth, rapid urbanisation...
This morning at 8.35 am, Elizabeth Ann Macgregor joined 702 ABC Radio’s Hamish Macdonald to discuss the ongoing controversy surrounding Lisa Havilah and the Powerhouse,...
Mona reveals itself slowly. Unlike classical museum architecture that conveys authority through monumental facades and grand, towering entranceways, visitors enter the Nonda Katsalidis-designed building through...
Tarr may not be a household name but he is an arthouse-hold name, known primarily for his mature, signature works as director—Damnation, 1987, Sátántangó, 1994,...
We call on the NSW Government to lift Lisa Havilah’s suspension and reinstate her as Chief Executive of Powerhouse, allowing her to lead the opening...
Two years ago, Macleod returned to his hometown of Christchurch, New Zealand, to be with his mother during the final phase of her life. At...
Edwards was born on Kaurna Yarta in 1998 and raised on Nauo Country in the small seaside community of Tulka, on the Lower Eyre Peninsula....
Under the auspices of Geelong Gallery’s director, Humphrey Clegg, and co-curated by Marianne Mathieu, former scientific director of the Musée Marmottan Monet, and Claire Durand-Ruel...
Nike Savvas: Purple Haze presents intimate screen prints and immersive large-scale installation and video work by Savvas from 2005–2026, each evocative of different places and...