Issue 7
| August 4, 2008
Featuring
Judy Millar – Painting for Venice
Also Inside
Jeffery Smart
Julia Deville
Hernan Bas
What
Kill Pixie
Dani Marti
Xing Danwen
Plus Essay, Reviews and News
Essay: Elizabeth Farrelly
Art in the fast lane
Perspective: Steve Lopes Interview with the late James Gleeson
Opinion: Art prizes will ruin you
Perspective: Joe Frost
Conversations from the Field III
Technical: Tools of the trade
Review: Horace Trenerry at AGNSW
Reg Mombassa
Must See Exhibitions
Final Word: Gina Bruce
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...
Enrico Taglietti AO met his future wife Francesca (Franca) while they were both studying at the Politecnico di Milano (Milan Polytechnic), with Taglietti completing his...
Visually, the work unfolds like a page from a storybook. Figures appear to stand together, perhaps even holding hands. Boe’s work references the proclamation boards...