Issue 7
| August 4, 2008
Featuring
Judy Millar – Painting for Venice
Also Inside
Jeffery Smart
Julia Deville
Hernan Bas
What
Kill Pixie
Dani Marti
Xing Danwen
Plus Essay, Reviews and News
Essay: Elizabeth Farrelly
Art in the fast lane
Perspective: Steve Lopes Interview with the late James Gleeson
Opinion: Art prizes will ruin you
Perspective: Joe Frost
Conversations from the Field III
Technical: Tools of the trade
Review: Horace Trenerry at AGNSW
Reg Mombassa
Must See Exhibitions
Final Word: Gina Bruce
Australian art history still holds many gaps. The life and work of John Joseph Wardell Power (1881–1943) is one of them. Curated by Ann Stephen,...
Mitch Cairns: Restless Legs was commissioned for the Contemporary Projects series at the Art Gallery of New South Wales in Sydney, where it was first...
Pulse, the title of his current exhibition at Utopia Art Sydney, alludes to the rhythmic equilibrium of parts that has long characterised his work. As...
Visiting Venice in late June, once the champagne flutes have emptied and the holders of “professional” badges have flown home, offers a different kind of...
The curator Con Gerakaris’s considered arrangement of diverse works conjures the distinctive cultural and physical topographies of Asia. Entering A Tear in the Fabric, the...
Walking into Anna Johnson’s studio is like passing through a portal into another world: a flight of rickety wooden stairs leads to the top floor...
After winning the Fishers Ghost Open Art Award last year for her epic video installation Margaret and the Grey Mare, 2023, opportunities across the theatre,...
Co-curators and longtime friends Helen Hyatt-Johnston, Brad Buckley, and Noel Thurgate and Gallery Curator Lizzy Galloway, selected the Buddha from Harpur’s extensive collection of Ch’an...
William Kentridge’s Self-Portrait as a Coffee-Pot opens with the artist pacing back and forth against the backdrop of his studio, with remnants of a sketch...