Issue 37
Artist Profile Issue 37 from Artist Profile on Vimeo.
Change matters in this issue of Artist Profile.
Our cover artist Savanhdary Vongpoothorn understands the dangers and happiness of change with her recent focus on the Mekong River. This is a sharp change from her distinctive paintings that related to the Australian bush and her Lao heritage. Similarly Ken Done shares this environmental focus, explaining his passion for sea turtles, painting the Great Barrier Reef and travelling to Antarctica to create his most recent works. And we discover why Guan Wei’s visions of inclusion and exclusion between Australia and China have made him the most outstanding dual identity artist.
We hope this issue of ARTIST PROFILE will open your mind to change.
ISSUE
The Art Rant by Idris Murphy
COVER FEATURE
SAVANHDARY VONGPOOTHORN by Kon Gouriotis, photography by Tony Lopes
PROFILES
DAVID FRANK by Owen Craven
DAVID HORTON by Kon Gouriotis
KEN DONE by Steve Lopes
MERRAN ESSON by Sara Sweet
DEAN HOME by Ashley Crawford
ROBERT MALHERBE by Judith Pugh
TOM ARTHUR by Lucy Stranger
MEGAN KEATING by Bridget Macleod
GUAN WEI by Michael Young
PREVIEW
Essay: Parkinson’s + Art, by John McDonald
Archive: Bronwyn Oliver, by Ian Howard
Project: Ella Barclay, by Lucy Stranger
Project: Luke Sciberras
Process: Andy Quilty
Preview: Nicole Ellis, by Anna Johnson
View Australia
Discovery: Ainsley Wilcock
You can purchase this issue in all good news agencies and art shops across the country from Thursday 10 November.
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...