Issue 30
Sophie Cape is one of the country’s rising art stars. Creating large scale abstract paintings outdoors in the bush, we speak with Cape in the lead up to her Sydney exhibition about the visceral connection to the natural world and its influence on her painting. Also in the issue, a conversation with late Colin Lanceley – a tribute. Plus a special selection of extended book reviews.
NEWS
Art Month Sydney
BLUT + BODEN – Gunter Christmann
UPFRONT
Sign of the times by Lucy Stranger
COVER FEATURE
SOPHIE CAPE by Owen Craven
PROFILES
JUSTIN WILLIAMS by Camille Liu Nock
KYLIE BANYARD by Jane Somerville
JIM PATERSON by Steve Lopes
CAMERON ROBBINS by Dr Kent Wilson
COLIN LANCELEY by Elizabeth Fortescue
BRUCE PETTY by Joe Frost
BILLY BENN PERRURLE by Gina Lee
PREVIEW
The Lost Diggers by Lucy Stranger
Roy Jackson by Bridget Macleod
Lucio Galletto by Steve Lopes
Philjames by William Sturrock
John Olsen: an artist’s life by Lucy Stranger
Battarbee and Namatijira by Tom Carment
Process: Vanessa Stockard
Process:Tom Carment
Preview: Patricia Piccinini
Preview: Takahiro Iwasaki
Preview: The Castlemaine State Festival
Preview: The Photograph and Australia
View Australia
Discovery: Aaron Butt
Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...
I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...
Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...