Riverland: Yvonne Koolmatrie

A highlight of the TARNANTHI, Festival of Contemporary Aboriginal and Torres Strait Islander Art, this exhibition presents a comprehensive survey of Yvonne Koolmatrie, a master Ngarrindjeri weaver and international artist. Greeted by Koolmatrie’s iconic eel traps, the suspended works visually guide the viewer into the culture and life history of an artist whose practice spans three decades. Embedded in the traditions of Ngarrindjeri culture and animated by her own personal response, Koolmatrie’s woven works celebrate the Riverland. A practice that has grown and diversified, this exhibition of her work is an exciting encounter with the Ngarrindjeri culture and Koolmatrie’s expansion of it.
The Gallery of South Australia, SA
Until 10 January 2016
www.artgallery.sa.gov.au
Yvonne Koolmatrie, Ngarrindjeri people, South Australia, Pondi (Murray River cod), 2009, spiny-headed sedge (Cyperus gymnocaulos), photographer Stuart Humphreys
Courtesy the artists Aboriginal & Pacific Art, Sydney,
I met with Gary Deirmendjian in his studio, or one aspect of it at least, at a café in Sydney’s Kings Cross. He is self-described...
Adam Douglas Hill (AKA Blak Douglas) is an attention-seeking artist. Seemingly on the fringes of the art world but also something of a celebrity whose...
With the Museum of Contemporary Art Australia (MCA) in Sydney recently announcing the reintroduction of admission fees from February 2025, there has been a renewed...
The colonial spasm that started in the seventeenth century, that saw the world carved up to fuel capitalism and created a socio-political landscape that led...
On his visit to Australia in 1968 the American art critic Clement Greenberg encouraged young artists to “enjoy their diversity”—advice Jock Clutterbuck appreciated. As a...
Here are brief segments pulled from fieldnotes that emerged from the beginning of the first two weeks of my fieldwork in the rural town of...
Bathurst has inspired the exhibition yet it’s not an exhibition about Bathurst. My mum grew up there. My grandparents and uncle had a farm there,...
The typical arc of a mid-career retrospective exhibition is that of an artist arriving at a fully formed artistic style. But this major exhibition is...
It’s not as though the national attitude toward acts of terrorism was more permissive in the past. Thank you very much, 2006, in which footage...