Kon Gouriotis OAM in conversation with Khaled Sabsabi
2- 3 pm, Saturday 14 September 2024, The Lock Up, Newcastle
The Lock-Up and Artist Profile invite you to the opening event of the first Newcastle exhibition of the acclaimed Lebanese Australian artist Khaled Sabsabi. Kon Gouriotis OAM will be in conversation with Khaled Sabsabi from 2pm on Saturday 14 September 2024.
“This exhibition presents works made over the last 12 years. It is a personal map of sorts that traces the complex relationship between the self and other, belief, devotion and the possibilities for transcendence.”
Khaled Sabsabi, 2024
The event is free and all are welcome. RSVP here
EXHIBITION
Khaled Sabsabi
14 September – 24 November 2024
The Lock Up, Newcastle
No artist creates in isolation. Every painting carries traces of the conversations, places and histories that shaped it, preserving within its surface a particular moment...
The weekend markets at Fairfield Showground have been one of Western Sydney’s great institutions for more than fifty years. Fresh fruit and vegetables, children’s clothes,...
In recent times, Yorgos Lanthimos has shifted toward photography, noting in a Guardian interview, 2026, that he needs respite, saying, “it might be a couple...
In Australia, political cartoons were altered by several events during the 1960s: the arrival of Les Tanner’s (1927‒2001) instinctual wit at The Bulletin, Bruce Petty’s...
Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...
I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...
Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...

