Issue 36
| November 9, 2016
Issue 36’s cover artist is Reg Mombassa, one of Australia’s most popular and idiosyncratic artists. We speak with the talented creative force about a life lived well in the arts. Our writers also explore 19 other talented artists’ across Australasia including Kerrie Hughes, Ross Laurie, Paul Boston, Catherine O’Donnell and Karen Mills.
ISSUE
LETTER by Ben Quilty
COVER FEATURE
REG MOMBASSA by Steve Lopes, photography by Tony Lopes
PROFILES
KERRIE HUGHES by Bridget Macleod
JUSTINE VARGA by Anna Johnson
BRUCE ARMSTRONG by Ashley Crawford
KAREN MILLS by Sara Sweet
ROSS LAURIE by Joe Frost
CATHERINE O’DONNELL by Lucy Stranger
PAUL BOSTON by Kon Gouriotis
DANELLE BERGSTROM by Chloe Mandryk
NICK MOURTZAKIS by Owen Craven
PREVIEW
Review: Miriam Stannage, by Laetitia Wilson
Archive: Paul Partos, by Guy Stuart
Essay: SAM, by Joe Kinsela
Process: Evan Salmon
Process: Stephen Armstrong
Process: Naomi Hobson
Book Review: Ngarra, by Lucy Stranger
Preview: Visons of Utopia, by Kon Gouriotis
View Australia
Discovery: Adam Stone
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...