Issue 36

The weekend markets at Fairfield Showground have been one of Western Sydney’s great institutions for more than fifty years. Fresh fruit and vegetables, children’s clothes,...

In recent times, Yorgos Lanthimos has shifted toward photography, noting in a Guardian interview, 2026, that he needs respite, saying, “it might be a couple...

In Australia, political cartoons were altered by several events during the 1960s: the arrival of Les Tanner’s (1927‒2001) instinctual wit at The Bulletin, Bruce Petty’s...

Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...

I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...

Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...

The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....

Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...

Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...