Issue 35
Fascinated with how we fit and exist in the world, we ask our cover artist Lindy Lee why her years of focus in Zen Buddhism is pushing new and exciting scales with her latest work. Discover how Sara Morawetz’s Mars durational performance disrupted systems in New York. Be inspired by Raymond Arnold’s 50 year devotion to Western Tasmania. We also get up close with Victoria Reichelt’s paradoxical world.
ISSUE
END OF AN ERA: 2016 Melbourne Art Fair Cancelled
by Michael Young
COVER FEATURE
LINDY LEE by Lucy Stranger, photography by Roger D’Souza
PROFILES
TEELAH GEORGE by Ted Snell
HEATH FRANCO by Abigail Moncrieff
ANN THOMSON by Bridget Macleod
VICTORIA REICHELT by Kon Gouriotis
PAUL RYAN by Steve Lopes
RAYMOND ARNOLD by Anna Johnson
CHRIS DYSON by Judith Pugh
GEOFF DIXON by Bridget Macleod
ANNETTE BEZOR by Sara Sweet
PREVIEW
Essay: Drawn Together, by Prue Gibson
Project: Sara Morawetz, by Macushla Robinson
Essay: Sydney Modern, AGNSW at risk, by Joe Kinsela
Archive: John Peter Russell, by Marianne Margin
Process: Welcome to Pyongyang, by Lachie Hinton
Process: Kim Guthrie
Process: Susan Wald
Process: Matthew Clarke
Review: Margaret Loy Pula, by Kon Gouriotis
View Australia
Discovery: Nicole O’Loughlin
Ruby Arrowsmith–Todd started attending the AGNSW film program in its early days as a self-educated, die-hard film fan, immersing herself in the cinematic sea of...
For most painters, tape has a prophylactic function. Stuck temporarily onto a canvas (or a doorframe, for that matter), tape protects what lies beneath or...
Deborah Halpern’s studio is engulfed with works in progress occasionally dispersed with other images and sculptures that illicit happiness. In the vast double window space,...
I recently left my home-studio on the Vaucluse clifftops in Sydney, with the whale and ocean views, and have set up a new studio in...
On a research trip to see the disused Mayday Hills Asylum, where Mike Parr will create his video projection on the exterior of the Birches...
The exhibition opens with paintings that place Done in conversation with some of the great names of art history. He has always been something of...
The art critic Harold Rosenberg (1906–78) asserted that “A painting that is an act is inseparable from the biography of the artist.” He continued, “The...
Museums and galleries often attempt to decolonise their collections and embrace diversity, equity and accessibility by ditching the elevated status of the artist. Yet artist...
Kaldor Public Art Project 38 is in the Naala Badu building (the term for “seeing waters” in the Gadigal language). Demand, as it happens, has...