Issue 35
Fascinated with how we fit and exist in the world, we ask our cover artist Lindy Lee why her years of focus in Zen Buddhism is pushing new and exciting scales with her latest work. Discover how Sara Morawetz’s Mars durational performance disrupted systems in New York. Be inspired by Raymond Arnold’s 50 year devotion to Western Tasmania. We also get up close with Victoria Reichelt’s paradoxical world.
ISSUE
END OF AN ERA: 2016 Melbourne Art Fair Cancelled
by Michael Young
COVER FEATURE
LINDY LEE by Lucy Stranger, photography by Roger D’Souza
PROFILES
TEELAH GEORGE by Ted Snell
HEATH FRANCO by Abigail Moncrieff
ANN THOMSON by Bridget Macleod
VICTORIA REICHELT by Kon Gouriotis
PAUL RYAN by Steve Lopes
RAYMOND ARNOLD by Anna Johnson
CHRIS DYSON by Judith Pugh
GEOFF DIXON by Bridget Macleod
ANNETTE BEZOR by Sara Sweet
PREVIEW
Essay: Drawn Together, by Prue Gibson
Project: Sara Morawetz, by Macushla Robinson
Essay: Sydney Modern, AGNSW at risk, by Joe Kinsela
Archive: John Peter Russell, by Marianne Margin
Process: Welcome to Pyongyang, by Lachie Hinton
Process: Kim Guthrie
Process: Susan Wald
Process: Matthew Clarke
Review: Margaret Loy Pula, by Kon Gouriotis
View Australia
Discovery: Nicole O’Loughlin
Modern Guru and the Path to Artificial Happiness begins YAM’s explosion of light. Towering over you, “glitchy” inflatable trees in hues of pink, purple, and...
Kelly was selected from a finalist group of six artists who submitted up to three paintings and an education proposal to a judging panel comprising...
Pensini says that her creative career began “as a young jillaroo painting landscapes and Animalia”. It is no surprise then, that many of her works...
University museums are a significant and diverse sector within the broader museum community, embracing visual arts, natural history, ethnography, science and technology, social history, medicine,...
In October 2024, Jude Rae will present her fourth solo exhibition with Philip Bacon Galleries, Brisbane. New works will include eight, large, still life paintings;...
If the central exhibition at the Venice Biennale is any indication of the direction in which the leading discourses in the art world are headed,...
While making our new film Yellow House Afghanistan I have often looked down at my feet and realised what it must have been like for...
Bayside Gallery is inherently disjointed, sliced in half by a corridor leading to other council run arts facilities. To the left, is the introductory gallery...
In major art historical exhibitions of recent years, a slightly uncomfortable part of the entertainment has been to watch the museum preserve every inch of...