Issue 35
Fascinated with how we fit and exist in the world, we ask our cover artist Lindy Lee why her years of focus in Zen Buddhism is pushing new and exciting scales with her latest work. Discover how Sara Morawetz’s Mars durational performance disrupted systems in New York. Be inspired by Raymond Arnold’s 50 year devotion to Western Tasmania. We also get up close with Victoria Reichelt’s paradoxical world.
ISSUE
END OF AN ERA: 2016 Melbourne Art Fair Cancelled
by Michael Young
COVER FEATURE
LINDY LEE by Lucy Stranger, photography by Roger D’Souza
PROFILES
TEELAH GEORGE by Ted Snell
HEATH FRANCO by Abigail Moncrieff
ANN THOMSON by Bridget Macleod
VICTORIA REICHELT by Kon Gouriotis
PAUL RYAN by Steve Lopes
RAYMOND ARNOLD by Anna Johnson
CHRIS DYSON by Judith Pugh
GEOFF DIXON by Bridget Macleod
ANNETTE BEZOR by Sara Sweet
PREVIEW
Essay: Drawn Together, by Prue Gibson
Project: Sara Morawetz, by Macushla Robinson
Essay: Sydney Modern, AGNSW at risk, by Joe Kinsela
Archive: John Peter Russell, by Marianne Margin
Process: Welcome to Pyongyang, by Lachie Hinton
Process: Kim Guthrie
Process: Susan Wald
Process: Matthew Clarke
Review: Margaret Loy Pula, by Kon Gouriotis
View Australia
Discovery: Nicole O’Loughlin
Beyond Our Selves Once, while in Khaled Sabsabi’s studio discussing ideas and future projects, he asked me if I had heard about the concept of...
“Well, it’s APT time . . . again,” I want to say with the on-camera inflections of Bill Murray in Groundhog Day, 1993, dejected by...
Aajyna 1998 + 2022 The intangible feeling of hope and hopelessness is inexplicable. Hope can drive and inspire, while hopelessness can leave one feeling empty,...
Dark Clouds and Super Heroes: Khaled Sabsabi Artist’s appeal to our most basic sense of humanity. Some do so by looking at the demure and...
Organised Confusion, 2014, is a multi-channel installation that continues Khaled Sabsabi’s investigation into systems of belief and spirituality, and their role in the construction of...
This text has been commissioned to articulate my feelings about the value of artist Khaled Sabsabi. I feel strongly that Khaled Sabsabi is overdue to...
Khaled Sabsabi / To hold the multiple lives of truth As an artist with a career spanning over four decades, Khaled Sabsabi has, by faith...
Brincat tells me that painting came first and performance later. She initially trained in painting at Sydney College of the Arts and remembers the painting...
It’s surreal. A little over two weeks ago I was invited to a lunch celebrating the announcement of Khaled Sabsabi and Michael Dagostino as the...