It is one of the peculiarities of the art of painting that all the strength and suppleness of movement the painter’s body can bring to...
Adam Douglas Hill (AKA Blak Douglas) is an attention-seeking artist. Seemingly on the fringes of the art world but also something of a celebrity whose...
I met with Gary Deirmendjian in his studio, or one aspect of it at least, at a café in Sydney’s Kings Cross. He is self-described...
With the Museum of Contemporary Art Australia (MCA) in Sydney recently announcing the reintroduction of admission fees from February 2025, there has been a renewed...
The colonial spasm that started in the seventeenth century, that saw the world carved up to fuel capitalism and created a socio-political landscape that led...
On his visit to Australia in 1968 the American art critic Clement Greenberg encouraged young artists to “enjoy their diversity”—advice Jock Clutterbuck appreciated. As a...
Bathurst has inspired the exhibition yet it’s not an exhibition about Bathurst. My mum grew up there. My grandparents and uncle had a farm there,...
The typical arc of a mid-career retrospective exhibition is that of an artist arriving at a fully formed artistic style. But this major exhibition is...
It’s not as though the national attitude toward acts of terrorism was more permissive in the past. Thank you very much, 2006, in which footage...
When viewing the website of glass artist Nick Mount, the visitor will find the usual content headings, with the exception of “About us” which offers...
What sets us apart from other creatures is our ability to communicate using a series of vocal symbols. As the distinguish British archaeologist Colin Renfrew...
Teo Treloar was twenty-six when he decided to apply to Sydney College of the Arts (SCA), the University of Sydney. He graduated with a bachelor...
The Hunt extends the artist’s practice of beautifully composed photographic images evoking colonial perceptions of the Australian landscape into a series that more directly engages...
The Tank, located in the northern extension of the Art Gallery of NSW, was originally an underground oil reservoir used during the Second World War....
An African folktale was told to Jenny Orchard as a child, in which a woman follows an impossibly beautiful man into a forest. Against his...
The Clumped Spirit at UNSW Galleries is a joint project with the IMA in Brisbane, and the third in a series of annual commissions, funded...
Beyond Our Selves Once, while in Khaled Sabsabi’s studio discussing ideas and future projects, he asked me if I had heard about the concept of...
“Well, it’s APT time . . . again,” I want to say with the on-camera inflections of Bill Murray in Groundhog Day, 1993, dejected by...
Aajyna 1998 + 2022 The intangible feeling of hope and hopelessness is inexplicable. Hope can drive and inspire, while hopelessness can leave one feeling empty,...
Dark Clouds and Super Heroes: Khaled Sabsabi Artist’s appeal to our most basic sense of humanity. Some do so by looking at the demure and...
Organised Confusion, 2014, is a multi-channel installation that continues Khaled Sabsabi’s investigation into systems of belief and spirituality, and their role in the construction of...
Khaled Sabsabi / To hold the multiple lives of truth As an artist with a career spanning over four decades, Khaled Sabsabi has, by faith...
Brincat tells me that painting came first and performance later. She initially trained in painting at Sydney College of the Arts and remembers the painting...
It’s surreal. A little over two weeks ago I was invited to a lunch celebrating the announcement of Khaled Sabsabi and Michael Dagostino as the...
Upon entering Kirtika Kain’s studio, I am immediately struck by the force with which her canvases command my attention. The only way I can describe...
