Issue 36
Issue 36’s cover artist is Reg Mombassa, one of Australia’s most popular and idiosyncratic artists. We speak with the talented creative force about a life lived well in the arts. Our writers also explore 19 other talented artists’ across Australasia including Kerrie Hughes, Ross Laurie, Paul Boston, Catherine O’Donnell and Karen Mills.
ISSUE
LETTER by Ben Quilty
COVER FEATURE
REG MOMBASSA by Steve Lopes, photography by Tony Lopes
PROFILES
KERRIE HUGHES by Bridget Macleod
JUSTINE VARGA by Anna Johnson
BRUCE ARMSTRONG by Ashley Crawford
KAREN MILLS by Sara Sweet
ROSS LAURIE by Joe Frost
CATHERINE O’DONNELL by Lucy Stranger
PAUL BOSTON by Kon Gouriotis
DANELLE BERGSTROM by Chloe Mandryk
NICK MOURTZAKIS by Owen Craven
PREVIEW
Review: Miriam Stannage, by Laetitia Wilson
Archive: Paul Partos, by Guy Stuart
Essay: SAM, by Joe Kinsela
Process: Evan Salmon
Process: Stephen Armstrong
Process: Naomi Hobson
Book Review: Ngarra, by Lucy Stranger
Preview: Visons of Utopia, by Kon Gouriotis
View Australia
Discovery: Adam Stone


The curator Con Gerakaris’s considered arrangement of diverse works conjures the distinctive cultural and physical topographies of Asia. Entering A Tear in the Fabric, the...
Walking into Anna Johnson’s studio is like passing through a portal into another world: a flight of rickety wooden stairs leads to the top floor...
After winning the Fishers Ghost Open Art Award last year for her epic video installation Margaret and the Grey Mare, 2023, opportunities across the theatre,...
Co-curators and longtime friends Helen Hyatt-Johnston, Brad Buckley, and Noel Thurgate and Gallery Curator Lizzy Galloway, selected the Buddha from Harpur’s extensive collection of Ch’an...
William Kentridge’s Self-Portrait as a Coffee-Pot opens with the artist pacing back and forth against the backdrop of his studio, with remnants of a sketch...
To commemorate fifty years since the invasion, Savvas travelled to Cyprus to video her walk from her mother’s home in Kaimakli, Nicosia, to her father’s...
National museums serve as custodians of collective memory. They preserve, interpret, and present stories that shape a nation’s cultural identity. The National Museum of Australia...
The two-and-a half-kilogram catalogue for the Dangerously Modern exhibition, set inside its pink, gossamer carry bag, is the perfect metaphor for this exhibition at the...
As an Italian immigrant, who came to Australia as a young boy, Zofrea’s understanding and connection with the Australian landscape has been a lifelong journey....