30 Years of the Sternberg Collection
To mark the 30 year anniversary since the first art works collector and philanthropist Goldie Sternberg donated to the Gallery, a new exhibition, The connoisseur and the philanthropist: 30 years of the Sternberg collection will showcase exquisite ceramics, stone and bronze sculptures, textiles and paintings, acquired through the generosity of benefactors Edward and Goldie Sternberg , their family and friends.
After falling in love with Chinese art in the 1950s, Goldie Sternberg started donating works to the Art Gallery of NSW in the 1980s. In 1989, her husband, Edward Sternberg, proposed providing funds for the Gallery to invest, with the income used to buy Chinese art.
Goldie once declared that she loved everything Chinese and above all the arts. She said this passion began “when I was quite young… I loved it for its grace and beauty.”
She described her philanthropy as a source of great pleasure, as it is a way to share her interest by making Chinese art more accessible to the public, through exhibitions, acquisitions and education.
Since the late 1980s, more than 30 artworks have been either gifted to the Gallery by the Sternbergs and friends or purchased with the Edward and Goldie Sternberg Chinese Art Purchase Fund, all of which will be on display along with a dozen of the south east Asian art works purchased by a fund set up by the Sternbergs to purchase works from this area.
Curator of Chinese art, Cao Yin said, “even though I did not have the honour of meeting Goldie and Edward Sternberg I have discovered through my own reading about them and from conversations with people who knew the couple well, that Goldie particularly, had a scholarly discipline and had done tremendous study. It seemed she always took meticulous notes after attending lectures and seminars on Chinese art. She had a wonderful knowledge and the Gallery is pleased to be honouring Goldie and her husband Edward by displaying this wonderful collection.”
The works cover a wide range of artistic styles from the 1st century (Han Dynasty, 206 BCE -220 CE) to modern times.
Hongzhi 1488 – 1505/Ming dynasty 1368 – 1644 Jingdezhen/Jiangxi Province/China, Jingdezhen ware Dish with gardenia spray design, porcelain with underglaze blue and overglaze yellow decoration, 5 × 26.7cm
CUI Zifan Ducks and bamboo 20th century hanging scroll, ink and colour on paper, 60 × 60cm
Courtesy the Art Gallery of New South Wales
One Trackback
… [Trackback]
[…] Informations on that Topic: artistprofile.com.au/30-years-of-the-sternberg-collection/ […]
No artist creates in isolation. Every painting carries traces of the conversations, places and histories that shaped it, preserving within its surface a particular moment...
The weekend markets at Fairfield Showground have been one of Western Sydney’s great institutions for more than fifty years. Fresh fruit and vegetables, children’s clothes,...
In recent times, Yorgos Lanthimos has shifted toward photography, noting in a Guardian interview, 2026, that he needs respite, saying, “it might be a couple...
In Australia, political cartoons were altered by several events during the 1960s: the arrival of Les Tanner’s (1927‒2001) instinctual wit at The Bulletin, Bruce Petty’s...
Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...
I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...
Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...