SODA_JERK @ KUDOS GALLERY, SYDNEY
Dynamo video artist duo Soda_Jerk have been at it again. Their current work titled After the Rainbow is a 2-channel video installation that investigates the temporal dimensions of cinema.
Known for their work in found audio and visual samples this video is Soda_Jerk’s second installment in “The Dark Matter Cycle” – a series of video remixes that explore the notions of time travel and its relationship between recorded media to the passage of time.
Soda_Jerk have engaged the opening sequence of the 1939 Hollywood hit The Wizard of Oz to delve into the fantasy world of cinema and the reality of Judy Garland’s tragic life. The famous twister, instead of carrying Dorothy to Oz, transports the young and hopeful Garland into the future where she encounters her real life older self.
Originally commissioned for Melbourne’s Next Wave festival, After the Rainbow is now on exhibition at Kudos Gallery, Sydney.
Kudos Gallery
6 Napier Road, Paddington
T +61 2 9326 0034
Until Saturday 12 June
Open: Wednesday-Friday 11am-6pm + Saturdays 11am-4pm (artist floor talk 2pm 12 June)



No artist creates in isolation. Every painting carries traces of the conversations, places and histories that shaped it, preserving within its surface a particular moment...
The weekend markets at Fairfield Showground have been one of Western Sydney’s great institutions for more than fifty years. Fresh fruit and vegetables, children’s clothes,...
In recent times, Yorgos Lanthimos has shifted toward photography, noting in a Guardian interview, 2026, that he needs respite, saying, “it might be a couple...
In Australia, political cartoons were altered by several events during the 1960s: the arrival of Les Tanner’s (1927‒2001) instinctual wit at The Bulletin, Bruce Petty’s...
Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...
I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...
Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...