Issue 34
Artist Profile Issue 34 from Artist Profile on Vimeo.
Our front cover artist for this issue is the masterful abstract painter Michael Johnson. We take a deep look at the life and works of Guy Warren at 95 years of age. Sarah Contos is queried before her new animation installation in Adelaide. You might laugh with Vivienne Shark LeWitt’s emphatic narratives. Ah Xian sculptures will amaze, as will John Beard’s repainting of ‘The Raft of the Medusa’.
ISSUE
Role Reversal: Ethical Traps When Curators Become Artists by Joe Frost
COVER FEATURE
MICHAEL JOHNSON by Anna Johnson, photography by Tony Lopes
PROFILES
SARAH CONTOS by Chloe Mandryk
GLENN BARKLEY by Kon Gouriotis
VIVIENNE SHARK LEWITT by Lucy Stranger
GUY WARREN by Steve Lopes
VIRGINIA CUPPAIDGE by Lucy Stranger
AH XIAN by Michael Young
JOHN HONEYWILL by Owen Craven
TONY TWIGG by Jeremy Eccles
JOHNNY ROMEO
PREVIEW
The 20th Biennale of Sydney and the 2016 Adelaide Biennial of Australian art, by Sara Sweet
ARCHIVE: Joy Hester: a recollection by Ken Whisson, by Joe Frost
Preview: Jan Senbergs by Steve Lopes
Preview: John Beard by Kon Gouriotis
Preview: Euan Macleod by Kon Gouriotis
Review: Mick Richards and Michael Aird: Great Collaborations by Kon Gouriotis
Book Review: Modern Love by Judith Pugh
Subscriptions
Process: Paul Miller by Douglas Purnell
View Australia
Discovery: Yioryios


For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The girl with...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...