Issue 33
In This Issue
In Issue 33 we discover how Joanna Braithwaite juggles humour, politics and her passion for animals in her paintings. David Griggs spoke candidly about his struggle with depression. We follow George Gittoes visit to Julian Assange, his establishment of the Yellow House in Jalalabad: all before he received The Sydney Peace Prize. Drawing you into the Archive, Judith Pugh writes an insightful essay about Clifton Pugh’s practice. Timing in with the Asia Pacific Triennial of Contemporary Art, we give you the break down one one of this year’s most exciting events.
ISSUE
Residencies and Reality by Kon Gouriotis
COVER FEATURE
JOANNA BRAITHWAITE by Owen Craven, photography by Tony Lopes
PROFILES
MONICA ROHAN by Lucy Stranger
NUSRA LATIF QURESHI by Elizabeth Gertsarkis
SALVATORE ZOFREA by Steve Lopes
DAVID GRIGGS by Kon Gouriotis
PIPPIN DRYSDALE by Maggie Baxter
KHALED SABSABI by Kon Gouriotis
GEORGE GITTOES DIARIES by Steve Lopes
BROOK ANDREW by Grazia Gunn
PREVIEW
8th Asia Pacific Triennial of Contemporary Art, by Chloe Mandryk
ARCHIVE, Clifton Pugh: Beyond the Tonal Method, by Judith Pugh
Book Reviews
Roger Crawford, by Joe Frost
Process: Dapeng Liu
Process: Vicki White
Process: Todd Hunter
Preview: Alex Gawronski
Preview: Melinda Schawel
Preview: Kevin Connor
View Australia
Discovery: Alison Mackay
It may not seem obvious that paintings – produced by the artist’s hand, and using his instantly-recognisable personal vocabulary of symbols and characters, and displayed...
In my studio in the Hawkesbury, I work in almost total solitude and I love it, so I’m sure these feelings were exacerbated by the...
Lauren O’Connor’s Twin Falls (Wodi Wodi Country), 2022, is tremulous: energetic, almost rapturous movements of the paintbrush across the canvas capture the vibratory energy of...
Grace Burzese’s energetic abstract work Cocoon, 2013, layers cobalt blue against wine red and white. The brushwork is gestural. The application of paint to the...
Across George Kennedy’s Skyline Trespass, 2022, something topographical is happening. Shadow and light shift across the picture plane, as if tracing the ridges and gullies...
There is an argument to be made that his work is a by-product of his very remarkable life; or that his paintings exist to support...
Mel O’Callaghan’s new exhibition art Sydney’s Carriageworks is titled with a capacious, and kind of porous, claim: All is Life. The very openness of this...
In an artist’s statement accompanying the exhibition of this body of work at Queenscliff Gallery, Klein writes that the show “addresses a particularly divisive period...
In Girlfriends, 2022, two young women stand shoulder-to-shoulder on a track running through a field of lush vegetation. They gaze directly into the camera. Their even eye...
