Issue 1
| July 2, 2007
PROFILES
Koji Ryui
Alan Jones
Nicholas Harding
Peter Sharp
Karen Standke
Julie Fragar
lan Smith
John Hoyland
FEATURES
Project
The musings of Reg Mombassa
India calling
The changing face of art on the subcontinent
Opinion
Sebastian Smee on the Venice Biennale
Opinion
Glenn Barkley on Outsider Art
Sidney Nolan
The new retrospective at the AGNSW \
Master class
Francis Bacon
Hidden treasure
The Kedumba drawing collection
Project
Trevor Weekes channels Dali
PROCESS
Dane Lovett and the print master
A day at the etching press
Perspective
Painting without fear
Know your colours
Understanding the qualities of pigments
REGULARS
Editorial
Brief
Books
Multiples
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Must see
cover Nicholas Harding
Photography Peter Panopoulos
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...
Enrico Taglietti AO met his future wife Francesca (Franca) while they were both studying at the Politecnico di Milano (Milan Polytechnic), with Taglietti completing his...
Visually, the work unfolds like a page from a storybook. Figures appear to stand together, perhaps even holding hands. Boe’s work references the proclamation boards...
Genuine reflection, the quiet, unresolved, sometimes uncomfortable kind, feels increasingly rare. We are seldom invited to sit with what we do not yet understand. This...
As the title Westwood | Kawakubo suggests, the National Gallery of Victoria’s (NGV) latest fashion exhibition plays to the idea that these two titans of...
Operating within a commercial framework yet not representing artists, Project8 allows for a greater sense of curatorial freedom, privileging thematic and carefully considered exhibitions over...
Ron Mueck’s shockingly alive sculptures hit us at many points along the pathway from birth to death. But it’s more than just mortal decay that...
Women Photographers 1900–1975: A Legacy of Light draws on more than 300 photographs and photomedia from the National Gallery of Victoria’s (NGV) collection and the...