Issue 1
| July 2, 2007
PROFILES
Koji Ryui
Alan Jones
Nicholas Harding
Peter Sharp
Karen Standke
Julie Fragar
lan Smith
John Hoyland
FEATURES
Project
The musings of Reg Mombassa
India calling
The changing face of art on the subcontinent
Opinion
Sebastian Smee on the Venice Biennale
Opinion
Glenn Barkley on Outsider Art
Sidney Nolan
The new retrospective at the AGNSW \
Master class
Francis Bacon
Hidden treasure
The Kedumba drawing collection
Project
Trevor Weekes channels Dali
PROCESS
Dane Lovett and the print master
A day at the etching press
Perspective
Painting without fear
Know your colours
Understanding the qualities of pigments
REGULARS
Editorial
Brief
Books
Multiples
Subscribe
Must see
cover Nicholas Harding
Photography Peter Panopoulos
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...