In Issue 43, Peter Hudson wrote about his artistic journey from childhood to the present.
The work of Caroline Garcia explores the shifting territory between intersectional feminism, diasporic politics and pop culture through a cinematic lens.
Reclusive New Zealand artist Martin Thompson proved to be a hard person to track down.
In Issue 44, Richard Bell takes us into his studio and talks about his provocative 2019 Venice Biennale proposal
Artist Profile chats to Sydney artist Matthew Bromhead about his various methods of making.
The paintings, sculptures and films by British artist Toby Ziegler excavate the various fissures that exist between formal and conceptual thresholds.
Science combines with Romantic ideas in the work of Emily Parsons-Lord to create explosions, experiments and ephemeral installations that examine Nature under all its guises.
Bridget Macleod speaks to Adam Pyett about the personal importance of producing a 'rewarding painting'.
Striking concentric circles and rarrk cross-hatched designs hypnotise and enthral within John Mawurndjul’s bark surfaces.
Kristin Headlam’s series of 64 etchings, 'The universe looks down', responds to Chris Wallace-Crabbe’s eponymous epic poem.
Juz Kitson is an Australian artist working out of the historic town Jingdezhen, the ‘porcelain capital’ of China.
Dagmar Cyrulla's contemporary muses raise ontological questions about what it is to be human in a virtual world.
Emerging Hobart artist Alana Collins speaks about the inspirations and processes driving her drawing practice.
‘Kevin Connor: The Forever One Day’ surveys the vigorous career of one of Australia’s most renowned urban expressionists.
A forerunner of the new wave of Australian artists employing experimental approaches to ceramics, Toni Warburton has been working with clay since the 1970s.
Talitha Kennedy’s new series of sculptures and works on paper embody the paradox of natural forces in a constructed world.
As he has refined his understanding of Byzantine traditions, Leonard Brown has brought expanding sensitivities to his abstracts.
Michael Zavros is well-known for his supreme fluency with paint, yet his printmaking practice lingers in the shadows.
Marisa Purcell’s new series of linen canvases hang like curtains, representing the way the brain erects definitive boundaries to construct reality.
While Rick Amor is best known for his evocative paintings, printmaking is a vital part of his practice.
In Issue 43, Melbourne artist Ali McCann speaks about the unique processes behind her carefully constructed photographs, videos and sculptural works.
Remembering the incredible life of Charles Blackman OBE, who has passed away one week after his 90th birthday.
Geoffrey de Groen says he’s endlessly interested in 'silence, stillness, darkness'
The poetic paintings of Caroline Rannersberger distill the dualities of the natural landscape; that it is immovable yet in flux, timeless and palpably present.
