The rustic characteristics of Merran Esson's ceramics reference the impermanence of the objects that served as vital tools for farm survival.
Chinese-Australian artist Guan Wei stood deferentially in front of his self-portrait ‘Plastic Surgery’ (2015)...
Elena Papanikolakis weaves together the cultural histories of her Greek heritage with formative moments from her childhood in Australia.
In Issue 44, Sydney artist Jack Dunbar spoke about his diverse ‘day-to-day’ inside and outside the studio.
There is something both humorous and unnerving in Graeme Drendel’s work, a tension between the familiar and the absurd.
Aida Tomescu’s practice, honed over forty years, is compelled by the artist's devotion to teasing out an idea over time.
Lottie Consalvo’s practice traverses painting, sculpture, performance, video and photography.
Sonia Payes' 'Woman in Bronze' explores creation, destruction, and transformation through a contemporary lens of growing environmental angst.
A survey of Archer's work at Campbelltown Arts Centre explores the decades-long practice of an artist committed to exploring the macabre, and even the morbid,...
When visitors step in beneath the half-raised metal-shuttered doors, they are met with a cross between a heavy-metal workshop and a computer lab ringed with...
With their white carapaces forming a protective border against potential threat, the two figures in Christopher Langton’s sculptural installation Colony could be stand-ins for these...
Sally Anderson speaks about how the deeply autobiographical, the metaphorical and the observed intertwine in her painting practice.
There is a revolutionary mood in Savanhdary Vongpoothorn’s new paintings. This Lao-Australian artist returned to the Mekong River to learn from its histories and sacred...
Artist Profile visits Fiona Lowry to discuss how the histories and stories of the Australian bush inform her contemporary renderings of landscape.
Over twenty-five years, South Australian artist Louise Haselton has established a largely sculptural practice in which no material is off-limits
Gunybi Ganambarr tells us in his own words – both Yolŋu and English – about how his elders led him to his art, and how...
John McDonald writes about the life and work of Barbara McKay ahead of her retrospective at New England Regional Gallery.
Michelangelo Russo's new series is the patient result of a year-long process of refinement.
Rhys Lee – who typically chooses to let his art speak for itself – took time to sit down with Artist Profile and chat about...
The practice of Indian-born Sydney-based artist Kirtika Kain examines how oppressive power structures have been enforced upon and embodied by generations before her.
Artist Profile visited Culliton’s property and studio to experience the life she has cultivated that inspires her creative output.
Daisy Hamlot’s bold canine paintings bring a wholehearted vibrancy to the CIAF in its tenth year.
In Issue 40, Amber Boardman discusses the idiosyncrasies of her practice inside and outside the studio.
The whimsical earthenware sculptures of Lynda Draper create a beguiling space where visuality mingles with tactility.
