Peter Day’s multi-disciplinary practice observes a place somewhere between the technological and the terrestrial.
Kawita Vatanajyankur's work explores the burdens of hard physical labour expected of women in traditional Thai society.
Jennifer Joseph’s work is the emotively charged product of a life lived at full, nocturnal, intensity.
Tim McMonagle intimately confronts both the fragile and robust nature of life. Artist Profile spoke to McMonagle in his Melbourne studio for Issue 46.
Tenderness is at the centre of the portraiture and landscape works in Bill Henson’s solo show at Roslyn Oxley9 Gallery.
Kim Guthrie’s solo exhibition at USC Gallery, 'River’s Edge', interrogates relationships between people and place.
Adelaide-based artist Joseph Haxan chats about suburbia, the Occult, Photoshop and the flimsy border between 'Humanity' and 'Nature'.
Michael Young chats to Richard Bell about his failed Venice proposal and his forthcoming exhibit at London's Tate Modern.
In Issue 43, 2018, Tony Costa wrote about his obsessive affiliation with the Australian landscape.
Sam Holt chats about his latest series of visceral paintings and sculptures.
Issue 45's 'Discovery' artist Francesca Zak discusses how she engages with technological detritus in her practice.
In Issue 39, Idris Murphy enlightened us on the art of the heliograph – a lesser-known part of his practice and complimentary process to his...
A mid-career survey of the work of Arlo Mountford that is playful, critical, disillusioned and optimistic.
Leach-Jones's vibrant, inquisitive painting practice is celebrated in an exhibition remembering the great artist, teacher, and friend.
Yhonnie Scarce is a Kokatha and Nukunu artist who employs the medium of glass to dazzling effect
For over three decades Janet Laurence has been engaging with humanity’s experiential and cultural relationship with the natural world.
Issue 44's 'Discovery' artist Jackson Farley writes about his multidisciplinary practice, which spans printmaking, textiles, video and sculpture
Bridgette McNab’s tightly choreographed paintings unpack the enduring dialogue between painting and cinema that resounds with the language of illusion.
Artist Profile chats to Nicole Welch about the dualities that interlace her media-based practice.
LA-based Australian artist George Byrne chats to AP about his photographic abstractions of urban geometry.
Salvatore Zofrea’s monumental ‘Day Cycle’ is a 122-metre long series depicting the energy of the day in four parts.
Artist Profile caught up with Australian artist Dan Miller in Kim’s Corner Food in Chicago, a convenience store that also contains an art gallery.
