In his 82nd year, William Robinson remains committed to taking his paintings into new territory.
Ian Friend's works on paper hark back to the soft light and chalky landscape that washes across time, space and place.
Adelaide artist Andrew Clarke chats to Artist Profile about his colour-focused new series of paintings, 'Mephistopheles' Yellow Vacuum Cleaner'.
Melbourne artist Kristian Laemmle-Ruff focuses his lens on the Woomera Prohibited Area (WPA), drawing attention to violent imperialist activities that scar the beautiful Country of...
Australian Galleries and Annette Larkin present a solo exhibition of works by the late Fred Cress, marking what would have been the artist’s 80th birthday.
Michael Lindeman’s latest series, ‘An Awkward Dance’, invites the viewer to poke and prod institutional authority.
Michael Young discusses the complex, politically-fuelled practice of Khadim Ali in Issue 40.
James Newitt’s exhibition ‘Delay’ examines the politico-personal valency of escape and withdrawal.
Artist Profile chats to Indigenous artists Zane Saunders and Arone Meeks about their concurrent exhibitions at KickArts Contemporary Arts.
Honor Freeman’s porcelain-cast interpretations of well-worn domestic objects narrate the rhythm of daily life’s minutiae.
In his solo exhibition ‘Spill’, Andrew Browne examines the suggestive ambiguities of water and the metamorphic effects of light.
With a career spanning over seven decades, Helen Maudsley knows a thing or two about painting.
Camilla Wagstaff explores the masterful work of Indigenous painter George Tjungurrayi in Issue 42.
In Issue 40, Lucy Stranger chatted to Jelle van den Berg about his colourful, collaborative practice.
ARTIST PROFILE celebrates the masterful Australian abstractionist painter, Michael Johnson in this exclusive essay by writer and daughter Anna Johnson.
The extraordinary oeuvre of the late Sally Gabori (c.1924–2015) is a rare portal into Australia’s pre-colonial history.
Lara Merrett chats to Artist Profile about expanding paining beyond the confines of the canvas for the 2018 Bella Room Commission
Artist Profile chats to sculptor Laurence Edwards about his formal and conceptual approaches to bronze.
In Issue 41, Ashley Crawford takes us on a journey into the multifaceted world of Melbourne artist Sonia Payes.
George Shaw writes about the poetry of Shoufay Derz's latest series 'In Memory of Water'.
Sanne Koelemij's collaged compositions recalibrate conventional dialogues between colour, shape and material.
Owen Craven writes about Melbourne-based artist Alice Wormald's rigorous, layered approach to painting.
In Issue 40 Hilarie Mais spoke with Kon Gouriotis about her non-representational vocabulary.
Nicholas Osmond sees himself as an observer, painting past and current narratives in Australian history.
