Peter Godwin graced the cover of Issue 32, speaking with John McDonald about the powerful abstraction at play in his dark interiors.
My fascination with decay and growth began at an early age, being raised on a dairy farm in Victoria. I was exposed to and in...
Opening at Mosman Art Gallery this October, 'Wild Thing' sets out to unleash our curiosities and take us for a walk on the wild side.
It's been an exciting year for Catherine O'Donnell. Currently in the Dobell Australian Drawing Biennial 2016 and her latest exhibition opening this October.
Wanda Gillespie plays with space, memory and time as she transports the viewer to an imagined future in 'Levitation Practice'.
Though Teelah George says she “never wanted to be a painter” and studied textile art at Curtin University, her art practice continues to evolve.
Diaspora is no new visitor to Australia. And for the multicultural community of Blacktown it is a unifying thread.
From a site of cultural loss and destruction rises an exhibition that celebrates community, place and a language renaissance.
Naomi Hobson explains the innate drive and workings underlying her unique style and brightly hued works.
Our current issue, highlighting Reg Mombassa’s career, profoundly illustrates the impact that a diverse and rigorous Australian tertiary art education has had on other artists...
Marion Borgelt’s artworks are vibrant and undulating constructions that take varied forms as paintings, sculptures and installations.
Michelle Cawthorn's work focuses on the little things – a song, a scent, an old teddy bear that spark a memory.
This September Charles Nodrum Gallery is celebrating the Artist's 90th birthday, 70 years since his first solo exhibition & 30 years exhibition with the gallery....
In Issue 19 he was interviewed by Lesley Chow about his dark and whimsical practice that leads the mind to stray...
Nick Mourtzakis passionately and studiously strives for precision in his craft. We spoke to him about his art practice, and all its disciplines.
Paul Boston is a painter who responds to experience and moments of light.
After reading Ben Quilty's reaction to his article in issue 35, here it’s Joe’s turn to reply in the debate.
Joanna Braithwaite’s paintings present juxtapositions of reality and the absurd - their subjects engaged in unusual acts.
Artist Ben Quilty takes issue with Joe Kinsela’s piece in the previous issue of ARTIST PROFILE on the proposed Sydney Modern extension to the AGNSW.
In the face of Sydney Modern, Historian of Australian architecture Joe Kinsela presents his Art Gallery of New South Wales.
Paul Ryan’s gutsy paintings pack a punch that has won him many fans over the years. Ryan is not afraid to experiment with subject matter.
Winner of the 2016 Churchie National Emerging Art Prize - Sara Morawetz and her curious practice is one to watch...
In line with his major retrospective, we pull from the archives an in-depth interview with Mike Parr about his practice that has galvanised audiences.
