I Am, You Are, We Are, They Are
Four Sydney artists bring to light the multicultural image of Australia - exposing the issues and questions that surround its identity.
Curated by Tian Zhang, I Am, You Are, We Are, They Are brings together the voices of Abdul Abdullah, Idil Abdullahi, Liam Benson and Amala Groom to present their givings and misgivings about identity politics in Australia.
Using personal approaches, each work extends to explore larger political and social issues – unravelling ideas of identity, representation, visibility and belonging. The use of art to make visible the less discussed topics in mainstream media adds depth to the discussion of identity. Between the four artists, works specifically explore national policies, issues or imagery; including Aboriginal Sovereignty, Islamophobia, women’s rights, refugees and the LGBTIQ community.
Whether charged and provocative or indirect in their subtlety, each work results in a balanced exhibition that explores the multifaceted nature of Australian identity.
With an engaging program (see below) I Am, You Are, We Are, They Are invites you to join the discussion of what constitutes ‘Australianness’, a topic that is as fluid and diverse as the identities that make it up.
PANEL DISCUSSION – FREE
Saturday 22 April 2017, 1.30pm-3pm
Join the artists Abdul Abdullah, Idil Abdullahi, Liam Benson and Amala Groom, exhibition curator Tian Zhang and panel moderator Mikala Tai (Director, 4A Centre for Contemporary Asian Art) in a lively discussion about who we are as a nation.
HENNA WORKSHOP WITH IDIL ABDULLAHI
Saturday 6 May 2017, 11.30am-1pm
Cost: $10
Learn to make your own henna and enjoy a relaxed afternoon creating and applying your own designs. Find out about the use of henna in Idil’s art practice and design.
EXHIBITION
I AM , YOU ARE, WE ARE, THEY ARE
Opening Saturday 25 March
Until 14 May
Peacock Gallery and Auburn Arts Studio
Courtesy the artists and Peacock Gallery and Auburn Arts Studio.


Carvings have been made for all time by Aurukun men. However, the more recent innovation to emerge from Aurukun are paintings. Vested in Country and...
A stone’s throw from the Illawarra escarpment at Campbelltown Arts Centre, the introduction to Draper’s ecosphere is a gathering of rainbow forms which, as an...
In 1991, Maurice and Katia Krafft died during the Mount Unzen eruption on Japan’s island of Kyushu. Herzog’s documentary does meditate on their deaths and...
Ruby Arrowsmith–Todd started attending the AGNSW film program in its early days as a self-educated, die-hard film fan, immersing herself in the cinematic sea of...
For most painters, tape has a prophylactic function. Stuck temporarily onto a canvas (or a doorframe, for that matter), tape protects what lies beneath or...
Deborah Halpern’s studio is engulfed with works in progress occasionally dispersed with other images and sculptures that illicit happiness. In the vast double window space,...
I recently left my home-studio on the Vaucluse clifftops in Sydney, with the whale and ocean views, and have set up a new studio in...
On a research trip to see the disused Mayday Hills Asylum, where Mike Parr will create his video projection on the exterior of the Birches...
The exhibition opens with paintings that place Done in conversation with some of the great names of art history. He has always been something of...