Issue 1
| July 2, 2007
PROFILES
Koji Ryui
Alan Jones
Nicholas Harding
Peter Sharp
Karen Standke
Julie Fragar
lan Smith
John Hoyland
FEATURES
Project
The musings of Reg Mombassa
India calling
The changing face of art on the subcontinent
Opinion
Sebastian Smee on the Venice Biennale
Opinion
Glenn Barkley on Outsider Art
Sidney Nolan
The new retrospective at the AGNSW \
Master class
Francis Bacon
Hidden treasure
The Kedumba drawing collection
Project
Trevor Weekes channels Dali
PROCESS
Dane Lovett and the print master
A day at the etching press
Perspective
Painting without fear
Know your colours
Understanding the qualities of pigments
REGULARS
Editorial
Brief
Books
Multiples
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Must see
cover Nicholas Harding
Photography Peter Panopoulos
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...