Issue 1
| July 2, 2007
PROFILES
Koji Ryui
Alan Jones
Nicholas Harding
Peter Sharp
Karen Standke
Julie Fragar
lan Smith
John Hoyland
FEATURES
Project
The musings of Reg Mombassa
India calling
The changing face of art on the subcontinent
Opinion
Sebastian Smee on the Venice Biennale
Opinion
Glenn Barkley on Outsider Art
Sidney Nolan
The new retrospective at the AGNSW \
Master class
Francis Bacon
Hidden treasure
The Kedumba drawing collection
Project
Trevor Weekes channels Dali
PROCESS
Dane Lovett and the print master
A day at the etching press
Perspective
Painting without fear
Know your colours
Understanding the qualities of pigments
REGULARS
Editorial
Brief
Books
Multiples
Subscribe
Must see
cover Nicholas Harding
Photography Peter Panopoulos
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...