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Tricky Walsh

Tricky Walsh appears on my laptop screen, their voice slightly distorted as we converse over distance through a shaky network from one regional part of Tasmania to another: it’s a Zoom conversation. This is how we get in touch. It’s a bit like science fiction, but it’s also a bit daggy – the future is […]

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Daniel Weber

By his own account, Weber grew up “in the midst of the plains of Minnesota, in a small town of about 30,000 people . . . and the only escape was the library.” As he tells me, “I moved to a larger city when I was sixteen, and became aware of all of these narratives […]

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Catherine Cassidy

In a recent statement, Cassidy described her interest in deep ecological time, as it changes and sculpts the land on which she works. Travelling as far north as the Gregory River, in to the Finke River, and out to Lake Eyre, Cassidy observes the marks that the passage of millennia leaves around her. “I find […]

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Anna Johnson

Johnson’s engagement with her influences – abstract expressionism, post-impressionism, early modernism, Monet, Clyfford Still – is ambivalent, and yet unburdened with the irony that characterises a lot of work on history and the archive produced today. In an interview for Intention with Rachael Parsons, Johnson described the experience of an artist (especially, but not only a woman […]

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John Young

The youngest of four siblings, John Zerunge Young spent his childhood on the southern side of Hong Kong, in an art deco granite house that was scarred with Japanese bullet holes from the Second World War. As a child, looking out from the balcony he painted views of the sea and the sun setting over […]

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Marina Strocchi

The points of intersection between skyscraper windows in Manhattan sunset III, 2020, are live; they ring with a vibrant, almost spiritual, blue. Between them, white spaces where the lives of others would be are subtly under-painted with this same blue – underpinned by its electric energy. The painting sees Manhattan from the swaying vantage point of a […]

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Donna Green

Donna Green’s beautiful Bacchanalia, 2022, is slung low beneath the weight of its own ripe fulness. Bulbous forms – at once like stone fruits, breasts, or camp confections in a storefront window – tumble over each other, enfolded in a high-gloss glaze. Aptly named for the privately funded, opulent Roman festivity known as the Bacchanal, the title […]

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Heidi Yardley

Let’s start from the beginning. When did you realise that being an artist was the career for you? I was always drawing as a child, and when I was in high school I focused mainly on art in Years Eleven and Twelve. I didn’t think much about what a career meant; I just knew that […]

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Julie Rrap

In front of Rrap’s Secret Strategies, Ideal Spaces series, 1987, viewers with an archival impulse might find themselves looking for wall text inside, or at the very least around, the image. In this photographic series, Rrap moves – usually naked to some degree, and often with markings on her body – in front of drawn reproductions of work from […]

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Emma Beer

There it is, striated beneath the blocks of pink – irregular, in a way which feels permissive –  a few glimpses of green ground. This ground, swung behind the pink, is elsewhere left visible: drawn across the canvas of laboured learning, 2021, as a thin veil which does more revealing than hiding, shifting with the […]

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Nick Santoro

You draw from a wide range of imagery and ideas. What are the major sources of inspiration for your works?  The process for gathering content to use in my paintings is a combination of information snacking, image hoarding and autobiographical content. What I’m exploring changes rapidly, governed by anything from music, art or ideas that […]

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Michael Vale

In PegLeg’s Ghost, 2021, three figures appear with bundles of cloth perching improbably on their heads. Neck-ache and gravitational dynamics aside, the nestling of lively objects into these happenstance headpieces places the picture firmly within the realm of the absurd. From two seated figures emerge small, vertical smoking structures (chimneys?), while the garb of the […]

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Adam Lee: World Sick Hermit

In World Sick Hermit, Adam Lee presents a suite of new paintings that reframe concepts of interpersonal and intergenerational connectedness whilst interrogating the hierarchy of outer and inner worlds. The body of work draws its title from a phrase coined by Lee’s daughter, who once announced a feeling of homesickness for the wider world. In […]

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Imants Tillers: As soon as tomorrow

In a statement accompanying the exhibition, Tillers notes that “It all began with the shock of a fire in 2019 which destroyed Notre-Dame Cathedral in Paris. Could this have been a portent of the coming apocalypse? The devastating fires in Eastern Australia followed soon after, only to be eclipsed by a plague which is still […]

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Madeleine Pfull: Pfull Stop

For commuters in Sydney, 12 June 2015 was a sombre day. For it was on this day that the free, tabloid newspaper mX released their last published edition. For those who don’t know, mX was a pithy commuter newspaper that’s content comprised of “celebrity gossip” (if you regard what Neil Perry did with his ponytail […]

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Yvonne Boag

In Moruya Sunset 1, 2021, Yvonne Boag undertakes the painterly equivalent of holding the positive ends of two (or perhaps more – perhaps innumerable) magnets together. The logic of the painting is one of competing horizontal energies: charged shapes and colours are held in proximity, approaching each other impossibly, thrillingly.  Sparks fly between a mercurial sweep of […]

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Amy Dynan

Sydney-based artist Amy Dynan uses a harmony of figuration and abstraction within her gestural skyscape artworks, revealing her approach of maximum expressivity. Dynan has been painting professionally since 2012, first capturing the likeness of her peers in hyperreal drawings. By 2017 she completed a Master of Fine Arts at the Sydney College of the Arts, […]

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James Drinkwater

How do you describe your artistic practice to strangers? When people ask, I always tell them that I’m a house painter – because I’m inevitably covered in paint. It’s trickier when someone probes a little further. I’m a painter-sculptor. I’m the son of schoolteachers so I saw people get up and go to work every […]

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Timo Kube

In Dr. Robert Luzar’s essay on Sensibilities we find the claim that “audiences view objects that, more or less, resist definition and medium specificity; these might appear as paintings and sculpture but the experience in viewing the works opens up (the) senses of what they ‘are.’” Indeed, the pieces in this show confound the classic definition-by-medium that […]

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Veronica Cay

conversations with my aunt, Cay’s current show with Anthea Polson Art, is named after the dialogue Cay wishes she could have had with her mother’s sister, about whom Cay knows only precious little information. What Cay does know is that this aunt, Dorothy, led what was by all accounts a vibrant life, deeply unconventional in its […]

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Maggie Jeffries

In Maggie Jeffries’s True Blue, 2020, a pair of eucalyptus branches reach toward each other. Across the canvas, these impossibly emotive plants seem to gesture with high feeling; they are so close to touching one another. The field they reach across is dappled blue – dense and saturated in its colour. Jeffries’s plants are not still […]

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Kevin Chin

The success of Kevin Chin’s sellout first show with Martin Browne Contemporary, in 2019, was widely attributed to his of-the-moment impulse for political painting. His work, which has long examined the entanglement of place, power, and personhood, clearly did respond to the cues of the minute: to climate change, to diaspora and the treatment of […]

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Brendan Kelly: Wallumatta White Kid

Splashes of thick, dark paint – at once gestural and geometrical – obfuscate much of the imagery across Kelly’s most recent oeuvre. A vision of the Sydney Opera House is disrupted by one, as are a series of fences, situated in the long, slightly abstracted field of empty-ish space so characteristic of Australian landscape in […]

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Paul Davies: Belvedere Loop

In a previous essay for Artist Profile, Andrew Frost took recourse to Joan Didion when thinking about Davies’s relationship to place. “The great chronicler of Southern California,” as Frost describes Didion, is so deeply bound up with the West Coast of the US that she might be thought of as a constituent part of it, […]

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