Madeleine Pfull
First impressions are formed within seconds of meeting someone. You judge them—and just as quickly, they judge you. These impressions are determined by mannerisms, facial expressions, body language, and they can be near impossible to shake. Madeleine Pfull’s characters are no exception. Her portraits, often presented in diptychs or triptychs, capture the subtle nuances of […]
Posted in Profiles
Tagged Chalk Horse, Madeleine Pfull, Sydney Contemporary
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Go Figure: The Germanos Collection
Relationship. Joanna Braithwaite’s portrait of loved but departed Pepper, wearing a carrot, is in the “family portraits” section, with the recent Caroline Zilinsky Weimar Republic–referencing double portrait of Max and Gaibrielle Germanos and Huxley. The artist Euan Macleod has curated the Macquarie University Art Gallery’s current exhibition from the Germanos collection. Macleod has selected others […]
Posted in Contents, Essays, Exhibitions
Tagged 3:33 Art Projects, Brent Harris, Caroline Zilinsky, Clara Adolphs, Gaibrielle Germanos, Ken Whisson, Macquarie University Art Gallery, Madeleine Pfull, Max Germanos, Pierre Mukeba
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Madeleine Pfull: Pfull Stop
For commuters in Sydney, 12 June 2015 was a sombre day. For it was on this day that the free, tabloid newspaper mX released their last published edition. For those who don’t know, mX was a pithy commuter newspaper that’s content comprised of “celebrity gossip” (if you regard what Neil Perry did with his ponytail […]
Posted in Contents, Exhibitions
Tagged Chalk Horse, Emma Finneran, Madeleine Pfull, painting, portraiture
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Madeleine Pfull
Madeleine Pfull writes about her painting process – which involves imagining and imaging herself in future form.
