Pearlescent Semblances, Perfect Parallels – Pippin Drysdale’s The Patterning of Light
Boasting more than 450 exhibitions both in Australia and internationally and having had over fifty solo exhibitions, Drysdale is revered as Australia’s most internationally successful ceramicist (McDonald, 2020). Despite her five-decade-long career, this is the artist’s first solo showing with Australian Galleries – and one that promises genuine delight. Drysdale’s notoriety is formidable; perhaps even […]
Amelia Lynch
Ceramicist Amelia Lynch is based on the New South Wales Central Coast – a quotidian detail at first blush, perhaps, but one which extends beyond the realm of biographical “fact” and into more explanatory territory. Her most recent body of work, showing this May with Arthouse Gallery, Sydney, reflects on her phenomenological and emotional relationships […]
Donna Green
Donna Green’s beautiful Bacchanalia, 2022, is slung low beneath the weight of its own ripe fulness. Bulbous forms – at once like stone fruits, breasts, or camp confections in a storefront window – tumble over each other, enfolded in a high-gloss glaze. Aptly named for the privately funded, opulent Roman festivity known as the Bacchanal, the title […]
Sally Walk
Sally Walk has spent over twenty-five years in clay: working (with) it, shaping it, and sounding the outer reaches of its formal and expressive potential. Often, her work has comprised intricate, richly glazed, and delicate forms. They have been occasionally “organic” in their shape and pattern, but with a distinct kind of perfection about them: completeness, wholeness, […]
Kyoko Imazu
A feline figure looks us almost in the eye in Beetle Spotting, 2018. Offering this slant gaze at once curious and evasive, the cat’s face is captivating – their whiskers tremulous and sensitive against a “featureless” background. Refusing to offer either geographical or perspectival specificity, this washed background strikes against the intense and textured particularity of […]
Veronica Cay
conversations with my aunt, Cay’s current show with Anthea Polson Art, is named after the dialogue Cay wishes she could have had with her mother’s sister, about whom Cay knows only precious little information. What Cay does know is that this aunt, Dorothy, led what was by all accounts a vibrant life, deeply unconventional in its […]
Pippin Drysdale
Drysdale’s The Patterning of Light: Breakaway Series II is both an observation and an observance of the natural world around the artist’s base in Fremantle, WA. It is an observation in so far as it comes from looking – but also from feeling, from remembering, and from attachment to – the landscape and its multi-species inhabitants. Even […]
Shaun Hayes
Shaun Hayes investigates the relationship between throwaway objects and their ability to invoke memories.
Sarah Goffman Wins the 1st Still Life Award
Congratulations Sarah Goffman, winner of the inaugural Coffs Harbour Regional Gallery’s STILL: National Still Life Award.
Stephen Bird | Rogue Heroes
Stephen Bird’s ‘Industrial Sabotage’ at Gould Galleries, Melbourne.
Jenny Orchard Wins UQ Self-Portrait Prize
Sydney-based artist, Jenny Orchard’s earthenware figure Self Portrait as a Multispecies Activist 2017, was selected as the winning artwork from 28 entries on show at the UQ Art Museum until 18 February 2018. “At the heart of my ceramics and art practice is a yearning for connection – connection with other people, but also with […]

