Issue 39
Artist Profile Issue 39 from Artist Profile on Vimeo.
THIS ISSUE OF ARTIST PROFILE focuses on painters who make prints. We want to understand a painter’s relationship to the rather mystical powers of printmaking and the social and cultural engagement implicit in printmaking, which have left their mark on the work of many painters. Not all painters make prints, so these important, yet often unpredictable encounters are closely examined in this issue, especially in the essays by Jeremy Eccles, Michael Kempson and Lesley Conran.
The upcoming 10th anniversary of Artist Profile in September is exciting us here. To kick it off, we have partnered with the Orange Regional Gallery in Central-Western NSW to present a survey of 160 contemporary Australasian painters and their paintings. Deputy Editor Lucy Stranger and I have curated the exhibition from the magazine’s featured living painters. The exhibition, ARTIST PROFILE: Australasian Painters 2007 – 2017 will run from Saturday 8 July to Sunday 10 September 2017. We would love to see all our friends who have supported Artist Profile over the 10 years at the opening on 8 July in Orange.
COVER FEATURE
ELISABETH CUMMINGS, by Anna Johnson, photography by Stephen Oxenbury
ISSUE
A Museum of Works on Paper by Ashley Crawford
PROFILES
SHANNON MCCULLOCH by Louella Hayes
PEDRO WONAEAMIRRI by John von Sturmer
PETER POWDITCH by Ashley Crawford
AIDA TOMESCU by Lucy Stranger
RICK AMOR by Bridget Macleod
JUDY WATSON by Kon Gouriotis
KATHERINE HATTAM by Judith Pugh
WENDY SHARPE by Lucy Stranger
MICHAEL ZAVROS by Elli Walsh
RAY BEATTIE AND PETER DALY by Kon Gouriotis
PREVIEW
Essay: Painters in print, by Joe Frost
Essat: Indigenous Printmakers, by Jeremy Eccles
Essay: Euan Macleod, by Michael Kempson
Essay: David Fairbairn, by Natalie Wadwell
Process: Steve Lopes and master printmaker Tom Goulder, by Lesley Conran
Process: Idris Murphy
View Australia
Discovery: Gene A’Hern
Ruby Arrowsmith–Todd started attending the AGNSW film program in its early days as a self-educated, die-hard film fan, immersing herself in the cinematic sea of...
For most painters, tape has a prophylactic function. Stuck temporarily onto a canvas (or a doorframe, for that matter), tape protects what lies beneath or...
Deborah Halpern’s studio is engulfed with works in progress occasionally dispersed with other images and sculptures that illicit happiness. In the vast double window space,...
I recently left my home-studio on the Vaucluse clifftops in Sydney, with the whale and ocean views, and have set up a new studio in...
On a research trip to see the disused Mayday Hills Asylum, where Mike Parr will create his video projection on the exterior of the Birches...
The exhibition opens with paintings that place Done in conversation with some of the great names of art history. He has always been something of...
The art critic Harold Rosenberg (1906–78) asserted that “A painting that is an act is inseparable from the biography of the artist.” He continued, “The...
Museums and galleries often attempt to decolonise their collections and embrace diversity, equity and accessibility by ditching the elevated status of the artist. Yet artist...
Kaldor Public Art Project 38 is in the Naala Badu building (the term for “seeing waters” in the Gadigal language). Demand, as it happens, has...