Issue 39
Artist Profile Issue 39 from Artist Profile on Vimeo.
THIS ISSUE OF ARTIST PROFILE focuses on painters who make prints. We want to understand a painter’s relationship to the rather mystical powers of printmaking and the social and cultural engagement implicit in printmaking, which have left their mark on the work of many painters. Not all painters make prints, so these important, yet often unpredictable encounters are closely examined in this issue, especially in the essays by Jeremy Eccles, Michael Kempson and Lesley Conran.
The upcoming 10th anniversary of Artist Profile in September is exciting us here. To kick it off, we have partnered with the Orange Regional Gallery in Central-Western NSW to present a survey of 160 contemporary Australasian painters and their paintings. Deputy Editor Lucy Stranger and I have curated the exhibition from the magazine’s featured living painters. The exhibition, ARTIST PROFILE: Australasian Painters 2007 – 2017 will run from Saturday 8 July to Sunday 10 September 2017. We would love to see all our friends who have supported Artist Profile over the 10 years at the opening on 8 July in Orange.
COVER FEATURE
ELISABETH CUMMINGS, by Anna Johnson, photography by Stephen Oxenbury
ISSUE
A Museum of Works on Paper by Ashley Crawford
PROFILES
SHANNON MCCULLOCH by Louella Hayes
PEDRO WONAEAMIRRI by John von Sturmer
PETER POWDITCH by Ashley Crawford
AIDA TOMESCU by Lucy Stranger
RICK AMOR by Bridget Macleod
JUDY WATSON by Kon Gouriotis
KATHERINE HATTAM by Judith Pugh
WENDY SHARPE by Lucy Stranger
MICHAEL ZAVROS by Elli Walsh
RAY BEATTIE AND PETER DALY by Kon Gouriotis
PREVIEW
Essay: Painters in print, by Joe Frost
Essat: Indigenous Printmakers, by Jeremy Eccles
Essay: Euan Macleod, by Michael Kempson
Essay: David Fairbairn, by Natalie Wadwell
Process: Steve Lopes and master printmaker Tom Goulder, by Lesley Conran
Process: Idris Murphy
View Australia
Discovery: Gene A’Hern


Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...
I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...
Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...