Issue 29

Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...

(for Michael Petchkovsky)   You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...

While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...

  i make it       so that that every place i live is my home so   i put my bed on the wall closest...

after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded   translation. They wanted us...

Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...

Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...

Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...

The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...