Issue 29
| February 23, 2015
NEWS
Tom Carment’s charming new Seven Walks book
The Rothschild Prayerbook, a national treasure
UPFRONT
Peter Dreher, Every Day is a Good Day by Lucy Stranger
COVER FEATURE
CHUCK CLOSE by Glenn Barkley + Terrie Sultan
PROFILES
ALICE WORMALD by Owen Craven
JANET FIELDHOUSE by Lucy Stranger
TONY LLOYD by Kent Wilson
GOSIA WLODARCZAK by Jane Somerville
SOPHIA HEWSON by Jane O’Sullivan
PAUL SNELL by Anna Madeleine
PREVIEW
Project: by James Compton
Maria Lassnig by Paul Flynn
Jim Cobb by Bradley Hammond
Process: Kirstin Berg
Process: Bruce Latimer
Process: Joanna Logue
Book Reviews
Preview: PULSE
Preview: Stefan Dunlop
Preview: Rick Amor
Preview: The Phantom Show
View Australia
Discovery: Sue Dale
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...