Issue 29
NEWS
Tom Carment’s charming new Seven Walks book
The Rothschild Prayerbook, a national treasure
UPFRONT
Peter Dreher, Every Day is a Good Day by Lucy Stranger
COVER FEATURE
CHUCK CLOSE by Glenn Barkley + Terrie Sultan
PROFILES
ALICE WORMALD by Owen Craven
JANET FIELDHOUSE by Lucy Stranger
TONY LLOYD by Kent Wilson
GOSIA WLODARCZAK by Jane Somerville
SOPHIA HEWSON by Jane O’Sullivan
PAUL SNELL by Anna Madeleine
PREVIEW
Project: by James Compton
Maria Lassnig by Paul Flynn
Jim Cobb by Bradley Hammond
Process: Kirstin Berg
Process: Bruce Latimer
Process: Joanna Logue
Book Reviews
Preview: PULSE
Preview: Stefan Dunlop
Preview: Rick Amor
Preview: The Phantom Show
View Australia
Discovery: Sue Dale


We call on the NSW Government to lift Lisa Havilah’s suspension and reinstate her as Chief Executive of Powerhouse, allowing her to lead the opening...
Two years ago, Macleod returned to his hometown of Christchurch, New Zealand, to be with his mother during the final phase of her life. At...
Edwards was born on Kaurna Yarta in 1998 and raised on Nauo Country in the small seaside community of Tulka, on the Lower Eyre Peninsula....
Under the auspices of Geelong Gallery’s director, Humphrey Clegg, and co-curated by Marianne Mathieu, former scientific director of the Musée Marmottan Monet, and Claire Durand-Ruel...
Nike Savvas: Purple Haze presents intimate screen prints and immersive large-scale installation and video work by Savvas from 2005–2026, each evocative of different places and...
Although physically he is of modest stature, Zofrea has devoted much of his life to grand projects that have been conceived and executed on a...
Through a multidisciplinary collaboration between Rotterdam-based curators, architect Paul Cournet of CLOUD and artist-designer Sabine Marcelis of Studio Sabine Marcelis, the exhibition explores the interplay...
Artificial intelligence will be used by young artists who started using it as kids on their phones. They will see it as a natural extension...
This year’s Biennale arrives under more complex circumstances than most. It is shaped by the profound loss of its curator, Koyo Kouoh (1967–2025), whose exhibition...