Issue 28
A Melbourne Art Fair Special Edition, the issue is packed with program and exhibition highlights about the big event. On the cover is Melbourne-based Emily Floyd who talks us through her studio practice and what influences her large scale installation works ahead of a survey exhibition at the National Gallery of Victoria, Melbourne.
NEWS
Open Letter to the Prime Minister
Watters Gallery 50th Anniversary
UPFRONT
MELBOURNE ART FAIR by Lucy Stranger
COVER FEATURE
EMILY FLOYD by Bridget Macleod
PROFILES
BELINDA FOX by Lucy Stranger
FIONA PARDINGTON by Owen Craven
NOEL MCKENNA by Gregory O’Brien
PETER COOLEY by William Sturrock
FRANK NOWLAN by Glenn Barkley
JOHN MAWURNDJUL by Colleen O’Reilly
GAO RONG by Luise Guest
PREVIEW
Arthur Boyd by Steve Lopes
Hanging up the Brushes by Trevor Weekes
The Soft Approach by A.J.Edwards
Process: Rod Holdaway
Process: Terry Matassoni
Process: Hobie Porter
Book Reviews
Preview: Pia Johnson
Preview: TarraWarra Biennial
Preview: Bodies In Space
View Australia
Discovery: Michelle Cawthorn
Modern Guru and the Path to Artificial Happiness begins YAM’s explosion of light. Towering over you, “glitchy” inflatable trees in hues of pink, purple, and...
Kelly was selected from a finalist group of six artists who submitted up to three paintings and an education proposal to a judging panel comprising...
Pensini says that her creative career began “as a young jillaroo painting landscapes and Animalia”. It is no surprise then, that many of her works...
University museums are a significant and diverse sector within the broader museum community, embracing visual arts, natural history, ethnography, science and technology, social history, medicine,...
In October 2024, Jude Rae will present her fourth solo exhibition with Philip Bacon Galleries, Brisbane. New works will include eight, large, still life paintings;...
If the central exhibition at the Venice Biennale is any indication of the direction in which the leading discourses in the art world are headed,...
While making our new film Yellow House Afghanistan I have often looked down at my feet and realised what it must have been like for...
Bayside Gallery is inherently disjointed, sliced in half by a corridor leading to other council run arts facilities. To the left, is the introductory gallery...
In major art historical exhibitions of recent years, a slightly uncomfortable part of the entertainment has been to watch the museum preserve every inch of...