Issue 28
| November 11, 2014
A Melbourne Art Fair Special Edition, the issue is packed with program and exhibition highlights about the big event. On the cover is Melbourne-based Emily Floyd who talks us through her studio practice and what influences her large scale installation works ahead of a survey exhibition at the National Gallery of Victoria, Melbourne.
NEWS
Open Letter to the Prime Minister
Watters Gallery 50th Anniversary
UPFRONT
MELBOURNE ART FAIR by Lucy Stranger
COVER FEATURE
EMILY FLOYD by Bridget Macleod
PROFILES
BELINDA FOX by Lucy Stranger
FIONA PARDINGTON by Owen Craven
NOEL MCKENNA by Gregory O’Brien
PETER COOLEY by William Sturrock
FRANK NOWLAN by Glenn Barkley
JOHN MAWURNDJUL by Colleen O’Reilly
GAO RONG by Luise Guest
PREVIEW
Arthur Boyd by Steve Lopes
Hanging up the Brushes by Trevor Weekes
The Soft Approach by A.J.Edwards
Process: Rod Holdaway
Process: Terry Matassoni
Process: Hobie Porter
Book Reviews
Preview: Pia Johnson
Preview: TarraWarra Biennial
Preview: Bodies In Space
View Australia
Discovery: Michelle Cawthorn
Beyond Our Selves Once, while in Khaled Sabsabi’s studio discussing ideas and future projects, he asked me if I had heard about the concept of...
“Well, it’s APT time . . . again,” I want to say with the on-camera inflections of Bill Murray in Groundhog Day, 1993, dejected by...
Aajyna 1998 + 2022 The intangible feeling of hope and hopelessness is inexplicable. Hope can drive and inspire, while hopelessness can leave one feeling empty,...
Dark Clouds and Super Heroes: Khaled Sabsabi Artist’s appeal to our most basic sense of humanity. Some do so by looking at the demure and...
Organised Confusion, 2014, is a multi-channel installation that continues Khaled Sabsabi’s investigation into systems of belief and spirituality, and their role in the construction of...
This text has been commissioned to articulate my feelings about the value of artist Khaled Sabsabi. I feel strongly that Khaled Sabsabi is overdue to...
Khaled Sabsabi / To hold the multiple lives of truth As an artist with a career spanning over four decades, Khaled Sabsabi has, by faith...
Brincat tells me that painting came first and performance later. She initially trained in painting at Sydney College of the Arts and remembers the painting...
It’s surreal. A little over two weeks ago I was invited to a lunch celebrating the announcement of Khaled Sabsabi and Michael Dagostino as the...