Sanne Koelemij's collaged compositions recalibrate conventional dialogues between colour, shape and material.
The 21st Biennale of Sydney unites the work of seventy artists and art collectives from six continents.
In 'No Barrier to Entry', Catherine O’Donnell’s Sydney Fibros converse with the architecture of Chicago.
Disagreements over what we consider to be portraiture became intense when Justine Varga’s ‘Maternal Line’ won the 2017 Olive Cotton Prize for photographic portraiture.
Fifteen artists conjure a vision of suburbia for the inaugural show at Cement Fondu, Sydney's newest art space.
Campbell Robertson-Swann and Lauren Harvey, art dealers with a sense of history, have taken over the lease of the ground floor of Mary Place Gallery...
Melbourne artist Julia Ritson creates gridded compositions that articulate a multitude of images.
A collaboration between Clayton Utz and 3:33 Art Projects creates unique new platform for Australian artists.
Owen Craven writes about Melbourne-based artist Alice Wormald's rigorous, layered approach to painting.
The works of master bark painter John Mawurndjul will tour the country in a major MCA exhibition.
In Issue 40 Hilarie Mais spoke with Kon Gouriotis about her non-representational vocabulary.
Julian Meagher's latest exhibition, 'Inlet Outlet', represents a fresh vision of the Australian landscape.
Issue 41 Discovery artist Shaun Hayes creates otherworldly ceramic sculptures that fuse ancient history with the everyday.
Issue 40 'Discovery' artist Mark Tweedie creates paintings of domestic life in a bygone era.
'Star Picket' brings together artists from Central West NSW to investigate cross cultural sky stories and the mapping of the cosmos.
The 2018 Dhaka Art Summit (DAS) features the work of over 300 artists across 10 curated exhibitions.
Jeremy Eccles discusses the development, politics and complexities of indigenous printmaking in Issue 39.
Richard Bell’s most recent body of paintings spotlights the disempowerment of Indigenous Australians and the politics of Aboriginal emancipation.
David Fairbairn presents large scale etchings in a touring show that pushes his work to new heights.
Nicholas Osmond sees himself as an observer, painting past and current narratives in Australian history.
The new Gippsland Art Gallery's inaugural show 'Imagine' filters earth's history through the human imagination.
Joshua Yeldham takes viewers on a poetic odyssey of cultural, historical and personal significance.
Lisa Reihana's survey exhibition‘Cinemania’ charts the artist’s ongoing preoccupation with the complexities of cultural identity,
Raphaella Rosella sees things as they are, instinctively, without embellishment. She’s a gifted visual storyteller, never allowing her images to stray into patronising or exploitative...
