James Newitt’s exhibition ‘Delay’ examines the politico-personal valency of escape and withdrawal.
Artist Profile chats to Indigenous artists Zane Saunders and Arone Meeks about their concurrent exhibitions at KickArts Contemporary Arts.
Honor Freeman’s porcelain-cast interpretations of well-worn domestic objects narrate the rhythm of daily life’s minutiae.
‘Barka: The Forgotten River’ is a collaboration between Barkandji elder Badger Bates, Justine Muller and the Wilcannia community to save the Darling River.
Campbelltown Arts Centre presents three decades of paintings from the colourful oeuvre of Australian artist David Hawkes.
An exhibition presenting contemporary Australian artists’ reactions to the lush rainforest escarpment at Jamberoo.
In his solo exhibition ‘Spill’, Andrew Browne examines the suggestive ambiguities of water and the metamorphic effects of light.
With a career spanning over seven decades, Helen Maudsley knows a thing or two about painting.
Camilla Wagstaff explores the masterful work of Indigenous painter George Tjungurrayi in Issue 42.
In Issue 40, Lucy Stranger chatted to Jelle van den Berg about his colourful, collaborative practice.
Janet Clayton Gallery’s two final exhibitions feature the work of Heather Ellyard and Hanna Kay.
ARTIST PROFILE celebrates the masterful Australian abstractionist painter, Michael Johnson in this exclusive essay by writer and daughter Anna Johnson.
The extraordinary oeuvre of the late Sally Gabori (c.1924–2015) is a rare portal into Australia’s pre-colonial history.
Lara Merrett chats to Artist Profile about expanding paining beyond the confines of the canvas for the 2018 Bella Room Commission
In Issue 42, Ted Snell reviews the 2018 Adelaide Biennial of Australian Art, exploring the prismatic approach of Curator Erica Green
In the group exhibition ‘The Castle’, three artists explore cross-generational ideas of home.
Emerging Melbourne photographer James Bugg takes home the $50,000 2018 Moran Contemporary Photographic Prize (MCPP).
‘Untitled’ is a joint exhibition between Andy Quilty and a long-term inmate at a West Australian prison.
Artist Profile looks back on the colourful life of James Doolin on the occasion of ‘The Field Revisited' at the NGV
Ten contemporary artists and collectives reimagine historic paintings from Bendigo Art Gallery’s collection.
Artist Profile chats to sculptor Laurence Edwards about his formal and conceptual approaches to bronze.
In Issue 41, Ashley Crawford takes us on a journey into the multifaceted world of Melbourne artist Sonia Payes.
In Issue 38, Michael Young spoke to spoke to Mami Kataoka following her appointment as Artistic Director of the 21st Biennale of Sydney
Claire Dalgleish reviews the exhibition ‘Indigenous Australia' at Berlin's me Collectors Room
