Striking concentric circles and rarrk cross-hatched designs hypnotise and enthral within John Mawurndjul’s bark surfaces.
‘The 1818 Project' exhibition at Newcastle Art Gallery is a complex and bold experiment.
Singapore’s cultural efflorescence over the past decade has been a source of wonder even to the Singaporeans themselves
A new exhibition at Heide Museum of Art commemorates the life and work of the late Mirka Mora (1928 – 2018).
Judith Pugh reviews the inaugural Biennale of Australian Art at Ballarat.
Kristin Headlam’s series of 64 etchings, 'The universe looks down', responds to Chris Wallace-Crabbe’s eponymous epic poem.
Juz Kitson is an Australian artist working out of the historic town Jingdezhen, the ‘porcelain capital’ of China.
A new partnership is bringing art out of the galleries and into the sleek foyers and corridors of the corporate world.
Dagmar Cyrulla's contemporary muses raise ontological questions about what it is to be human in a virtual world.
Emerging Hobart artist Alana Collins speaks about the inspirations and processes driving her drawing practice.
‘Kevin Connor: The Forever One Day’ surveys the vigorous career of one of Australia’s most renowned urban expressionists.
A forerunner of the new wave of Australian artists employing experimental approaches to ceramics, Toni Warburton has been working with clay since the 1970s.
Talitha Kennedy’s new series of sculptures and works on paper embody the paradox of natural forces in a constructed world.
'Systematic’ explores contemporary artistic approaches to concepts of ‘the system’ through the work of eight Australian artists.
As he has refined his understanding of Byzantine traditions, Leonard Brown has brought expanding sensitivities to his abstracts.
A group exhibition examining the ways in which contemporary painting might be encountered within an expanded field.
Michael Zavros is well-known for his supreme fluency with paint, yet his printmaking practice lingers in the shadows.
Sydney artist Kai Wasikowski chats about the raft of ideas, inspirations and processes driving his photographic practice.
‘HERE&NOW 18' presents newly created works that respond to the challenge of contemporary art set by Marcel Duchamp 100 years ago.
Marisa Purcell’s new series of linen canvases hang like curtains, representing the way the brain erects definitive boundaries to construct reality.
‘Baldessin/Whiteley: Parallel Visions’ brings together the work of two major figures of 20th-century Australian art, for the first time.
While Rick Amor is best known for his evocative paintings, printmaking is a vital part of his practice.
In Issue 43, Melbourne artist Ali McCann speaks about the unique processes behind her carefully constructed photographs, videos and sculptural works.
