London-born Andrew Antoniou is an artist and teacher whose drawing practice examines the theatrical incongruities, and ambiguities, of human experience.
‘Eyes on Australia’ in North Carolina builds a showing of our statehood through lenses of femininity and cultural diversity.
Ildiko Kovacs’ beautifully resolved abstractions are the work of an artist fully in control of her craft, yet willing always to take the risks needed...
A mid-career survey of the work of Arlo Mountford that is playful, critical, disillusioned and optimistic.
A group of artists who confound outmoded expectations about China, reflecting unflinchingly on the most uncomfortable truths of our age.
Three of Sydney's major public art institutions showcase a multivalent multitude of new Australian art.
Leach-Jones's vibrant, inquisitive painting practice is celebrated in an exhibition remembering the great artist, teacher, and friend.
In partnership with the Adelaide Festival, the Samstag Museum calls four artists into an international, and interdisciplinary, conversation.
Seven artists and artist collectives look for reparative potential in the claim that screentime isolates, rather than connects, us. They all work, of course, in...
Yhonnie Scarce is a Kokatha and Nukunu artist who employs the medium of glass to dazzling effect
For over three decades Janet Laurence has been engaging with humanity’s experiential and cultural relationship with the natural world.
In Issue 45 Paul McGillick reflects on the colourful life of his brother; the late Tony's McGillick, whose passionate and expressive paintings celebrated the jouissance...
Michelle Day’s current solo exhibition 'What Remains' at A.N.C.A Gallery explores the beauty of life on a microcellular level.
Issue 44's 'Discovery' artist Jackson Farley writes about his multidisciplinary practice, which spans printmaking, textiles, video and sculpture
Darren Sylvester mines the polished world of pop culture to construct narratives about contemporary ennui, pathos and mortality.
What Indigenous art needs most is a major exhibition in a world art capital, says John McDonald.
Bridgette McNab’s tightly choreographed paintings unpack the enduring dialogue between painting and cinema that resounds with the language of illusion.
Sally Smart’s immersive installation, 'The Violet Ballet', continues the South Australian-born artist’s investigation into avant-garde dance company The Ballets Russes
Artist Profile chats to Nicole Welch about the dualities that interlace her media-based practice.
A survey exhibition of Nancy Kunoth Petyarre charts the spirited styles and stories for which this senior artist was renowned.
In talking art after psychoanalysis and Said, the term ‘other’ might be the most wonderfully, acrobatically flexible word in the dictionary of artspeak.
Adam Geczy’s new series, ‘Just Clownin’ Around’ engages with the clown as a universal trope for our contemporary Zeitgeist.
Artist Profile travelled to Charlottesville in the United States to speak with Jenni Kemarre Martiniello.
