In his new series of works, presented at Fireworks Gallery, Scott Redford voices his ongoing ruminations about the misgivings of ‘contemporary art’.
In Issue 43, 2018, Tony Costa wrote about his obsessive affiliation with the Australian landscape.
The Australian Centre for Contemporary Art (ACCA) hosts the first major survey of the work of Tom Nicholson, an influential Australian artist whose socially engaged...
Issue 45's 'Discovery' artist Francesca Zak discusses how she engages with technological detritus in her practice.
In Issue 39, Idris Murphy enlightened us on the art of the heliograph – a lesser-known part of his practice and complimentary process to his...
London-born Andrew Antoniou is an artist and teacher whose drawing practice examines the theatrical incongruities, and ambiguities, of human experience.
‘Eyes on Australia’ in North Carolina builds a showing of our statehood through lenses of femininity and cultural diversity.
Ildiko Kovacs’ beautifully resolved abstractions are the work of an artist fully in control of her craft, yet willing always to take the risks needed...
A mid-career survey of the work of Arlo Mountford that is playful, critical, disillusioned and optimistic.
A group of artists who confound outmoded expectations about China, reflecting unflinchingly on the most uncomfortable truths of our age.
Three of Sydney's major public art institutions showcase a multivalent multitude of new Australian art.
Leach-Jones's vibrant, inquisitive painting practice is celebrated in an exhibition remembering the great artist, teacher, and friend.
In partnership with the Adelaide Festival, the Samstag Museum calls four artists into an international, and interdisciplinary, conversation.
Seven artists and artist collectives look for reparative potential in the claim that screentime isolates, rather than connects, us. They all work, of course, in...
Yhonnie Scarce is a Kokatha and Nukunu artist who employs the medium of glass to dazzling effect
For over three decades Janet Laurence has been engaging with humanity’s experiential and cultural relationship with the natural world.
In Issue 45 Paul McGillick reflects on the colourful life of his brother; the late Tony's McGillick, whose passionate and expressive paintings celebrated the jouissance...
Michelle Day’s current solo exhibition 'What Remains' at A.N.C.A Gallery explores the beauty of life on a microcellular level.
Issue 44's 'Discovery' artist Jackson Farley writes about his multidisciplinary practice, which spans printmaking, textiles, video and sculpture
Darren Sylvester mines the polished world of pop culture to construct narratives about contemporary ennui, pathos and mortality.
What Indigenous art needs most is a major exhibition in a world art capital, says John McDonald.
Bridgette McNab’s tightly choreographed paintings unpack the enduring dialogue between painting and cinema that resounds with the language of illusion.
