A survey of Archer's work at Campbelltown Arts Centre explores the decades-long practice of an artist committed to exploring the macabre, and even the morbid,...
When visitors step in beneath the half-raised metal-shuttered doors, they are met with a cross between a heavy-metal workshop and a computer lab ringed with...
With their white carapaces forming a protective border against potential threat, the two figures in Christopher Langton’s sculptural installation Colony could be stand-ins for these...
Sally Anderson speaks about how the deeply autobiographical, the metaphorical and the observed intertwine in her painting practice.
There is a revolutionary mood in Savanhdary Vongpoothorn’s new paintings. This Lao-Australian artist returned to the Mekong River to learn from its histories and sacred...
Artist Profile visits Fiona Lowry to discuss how the histories and stories of the Australian bush inform her contemporary renderings of landscape.
This year, Yolŋu artist Djambawa Marawili AM is the winner of the Telstra Art Award for his piece Journey To America (2018). Made of natural...
‘Paper Tigers: Posters From Sydney’s Long 70s’ is a celebration of Sydney’s dynamic poster art and public protest movements from the late 1960s to early...
Over twenty-five years, South Australian artist Louise Haselton has established a largely sculptural practice in which no material is off-limits
Gunybi Ganambarr tells us in his own words – both Yolŋu and English – about how his elders led him to his art, and how...
Minky Opens A Gallery is a satirical take on the Sydney art establishment, submersing the audience into the alternatively glitzy and sordid world of art...
Artist Profile presents new work by Chinese-Australian artist Guo Jian at Sydney Contemporary 2019.
'Monet: Impression, Sunrise' at the NGA brings together works from the impressionist master and other artists to examine the founding of an art movement.
John McDonald writes about the life and work of Barbara McKay ahead of her retrospective at New England Regional Gallery.
Michelangelo Russo's new series is the patient result of a year-long process of refinement.
Jo Bertini applies her deep knowledge of the Australian desert to the desert terrain of Abiquiú in Northern New Mexico.
Ann Finnegan reviews the book 'Who Runs the Artworld: Money, Power and Ethics'.
John McDonald examines how prices are reaching absurd new heights at the same time as taste in contemporary art is plumbing new depths.
Stefan Dunlop's artworks enigmatically turn the elements of visual design on their head.
Rhys Lee – who typically chooses to let his art speak for itself – took time to sit down with Artist Profile and chat about...
The practice of Indian-born Sydney-based artist Kirtika Kain examines how oppressive power structures have been enforced upon and embodied by generations before her.
Artist Profile visited Culliton’s property and studio to experience the life she has cultivated that inspires her creative output.
Daisy Hamlot’s bold canine paintings bring a wholehearted vibrancy to the CIAF in its tenth year.
