Heather Shimmen weaves the historical and the utopian together in a mythic landscape of the mind.
Jennifer Joseph’s work is the emotively charged product of a life lived at full, nocturnal, intensity.
Joe Frost gives his paintings a kind of autonomy; they want to be or become things that are partially obscure to him.
Published in 2017, Sally Gray’s 'Friends, Fashion and Fabulousness' presents an account of the effervescent 1970s Australian cocktail of change.
Tim McMonagle intimately confronts both the fragile and robust nature of life. Artist Profile spoke to McMonagle in his Melbourne studio for Issue 46.
Tenderness is at the centre of the portraiture and landscape works in Bill Henson’s solo show at Roslyn Oxley9 Gallery.
Examining the fault lines at the juncture between art and nature, Philippa Nikulinsky’s decades-long practice is shown in its full nuance and plurality at Lawrence...
Kim Guthrie’s solo exhibition at USC Gallery, 'River’s Edge', interrogates relationships between people and place.
Adelaide-based artist Joseph Haxan chats about suburbia, the Occult, Photoshop and the flimsy border between 'Humanity' and 'Nature'.
Michael Young chats to Richard Bell about his failed Venice proposal and his forthcoming exhibit at London's Tate Modern.
In his new series of works, presented at Fireworks Gallery, Scott Redford voices his ongoing ruminations about the misgivings of ‘contemporary art’.
In Issue 43, 2018, Tony Costa wrote about his obsessive affiliation with the Australian landscape.
The Australian Centre for Contemporary Art (ACCA) hosts the first major survey of the work of Tom Nicholson, an influential Australian artist whose socially engaged...
Issue 45's 'Discovery' artist Francesca Zak discusses how she engages with technological detritus in her practice.
In Issue 39, Idris Murphy enlightened us on the art of the heliograph – a lesser-known part of his practice and complimentary process to his...
London-born Andrew Antoniou is an artist and teacher whose drawing practice examines the theatrical incongruities, and ambiguities, of human experience.
‘Eyes on Australia’ in North Carolina builds a showing of our statehood through lenses of femininity and cultural diversity.
Ildiko Kovacs’ beautifully resolved abstractions are the work of an artist fully in control of her craft, yet willing always to take the risks needed...
A mid-career survey of the work of Arlo Mountford that is playful, critical, disillusioned and optimistic.
A group of artists who confound outmoded expectations about China, reflecting unflinchingly on the most uncomfortable truths of our age.
Three of Sydney's major public art institutions showcase a multivalent multitude of new Australian art.
Leach-Jones's vibrant, inquisitive painting practice is celebrated in an exhibition remembering the great artist, teacher, and friend.
In partnership with the Adelaide Festival, the Samstag Museum calls four artists into an international, and interdisciplinary, conversation.
