Owen Craven writes about Melbourne-based artist Alice Wormald's rigorous, layered approach to painting.
The works of master bark painter John Mawurndjul will tour the country in a major MCA exhibition.
In Issue 40 Hilarie Mais spoke with Kon Gouriotis about her non-representational vocabulary.
Julian Meagher's latest exhibition, 'Inlet Outlet', represents a fresh vision of the Australian landscape.
Issue 41 Discovery artist Shaun Hayes creates otherworldly ceramic sculptures that fuse ancient history with the everyday.
Issue 40 'Discovery' artist Mark Tweedie creates paintings of domestic life in a bygone era.
'Star Picket' brings together artists from Central West NSW to investigate cross cultural sky stories and the mapping of the cosmos.
The 2018 Dhaka Art Summit (DAS) features the work of over 300 artists across 10 curated exhibitions.
Jeremy Eccles discusses the development, politics and complexities of indigenous printmaking in Issue 39.
Richard Bell’s most recent body of paintings spotlights the disempowerment of Indigenous Australians and the politics of Aboriginal emancipation.
David Fairbairn presents large scale etchings in a touring show that pushes his work to new heights.
Nicholas Osmond sees himself as an observer, painting past and current narratives in Australian history.
The new Gippsland Art Gallery's inaugural show 'Imagine' filters earth's history through the human imagination.
Joshua Yeldham takes viewers on a poetic odyssey of cultural, historical and personal significance.
Lisa Reihana's survey exhibition‘Cinemania’ charts the artist’s ongoing preoccupation with the complexities of cultural identity,
Raphaella Rosella sees things as they are, instinctively, without embellishment. She’s a gifted visual storyteller, never allowing her images to stray into patronising or exploitative...
Maori artist Star Gossage paints dreamlike figures in shifting landscapes that explore journeys of loss and endurance.
In the first week of a three-month residency, Lucy O'Doherty discusses her aims for her time at the Cité Internationale Des Arts, Paris.
Over 120 years later, contemporary Australian artists return to the artist camps of the Mosman coastline.
Judith White’s account of Michael Brand’s management of the AGNSW exemplifies the effect of neo-liberalism on a scholarly institution.
In Vietnam I strived to learn the language as often as I can: it helped me to see, think and feel from an alternative perspective.
The paintings of Charmaine Pike allude to the remote landscape, its geographical features and natural formations, embedded or rather personified with human emotion.
It's been an exciting end to the year for Claudia Moodoonuthi - coming off the back of a commissioned body of work currently on display...
John McDonald decries the trend in New South Wales regional art galleries, where some local councils have tried to reduce costs by cutting back on...
