David Fairbairn presents large scale etchings in a touring show that pushes his work to new heights.
Nicholas Osmond sees himself as an observer, painting past and current narratives in Australian history.
The new Gippsland Art Gallery's inaugural show 'Imagine' filters earth's history through the human imagination.
Joshua Yeldham takes viewers on a poetic odyssey of cultural, historical and personal significance.
Lisa Reihana's survey exhibition‘Cinemania’ charts the artist’s ongoing preoccupation with the complexities of cultural identity,
Raphaella Rosella sees things as they are, instinctively, without embellishment. She’s a gifted visual storyteller, never allowing her images to stray into patronising or exploitative...
Maori artist Star Gossage paints dreamlike figures in shifting landscapes that explore journeys of loss and endurance.
In the first week of a three-month residency, Lucy O'Doherty discusses her aims for her time at the Cité Internationale Des Arts, Paris.
Over 120 years later, contemporary Australian artists return to the artist camps of the Mosman coastline.
Judith White’s account of Michael Brand’s management of the AGNSW exemplifies the effect of neo-liberalism on a scholarly institution.
In Vietnam I strived to learn the language as often as I can: it helped me to see, think and feel from an alternative perspective.
The paintings of Charmaine Pike allude to the remote landscape, its geographical features and natural formations, embedded or rather personified with human emotion.
Stephen Bird's 'Industrial Sabotage' at Gould Galleries, Melbourne.
It's been an exciting end to the year for Claudia Moodoonuthi - coming off the back of a commissioned body of work currently on display...
John McDonald decries the trend in New South Wales regional art galleries, where some local councils have tried to reduce costs by cutting back on...
During a typical week Tom Carment might journey around the city of Sydney to make watercolours, visit a friend to paint their portrait, or draw...
Medium is as varied as subject in Lincoln Austin's twentieth solo exhibition 'Sometimes I like to pretend I'm a robot'.
For her newly commissioned work Sally Smart asks a question, 'Were there any women pirates?'
Opening at ARC ONE Gallery, Melbourne, Nike Savvas presents a new body of work that shift and play with our optical experience.
Sign up for your chance to win a double pass to see 'Loving Vincent' -a fully painted feature film which brings the paintings of Vincent...
A world-class photographic exhibition that brings together Australian and international artists, writers and collectors to explore the depiction of the male figure.
Emerging Blue Mountains-based artist Gene A'Hern details the frustrations and triumphs that have fuelled her current practice.
Kerrie Hughes came to painting after a brilliant career in fashion design. This has had a profound influence on Hughes’ art practice, and the way...
Looking to the past as inspiration for now. John Kelly responds to and exhibits alongside Sidney Nolan.

