BEAMS Arts Festival
Shining a light on the Chippendale Creative Precinct
Following the resounding success of its first iteration, the BEAMS Arts Festival returns to the lane-ways of Chippendale’s Creative Precinct once more! A kaleidoscope of colour and a dizzying array of artists, performers and musicians will converge to present a cultural programme that’s fast becoming an annual landmark for the City of Sydney.
Under the stewardship of Artist Director, Nicky Ginsberg, the 2013 programme will present a profusion of artistic and creative talent, with galleries, artists, production houses, designers, academics and design students coming together to create a street party like no other. This year will also see a greater involvement from cutting edge musical talents.
The BEAMS Festival is revitalising the creative community and re-imagining the possibilities for the city through collaborative imagination. The community and visitors will participate through hands-on art-making, workshops and plein air performances.
For one bright night the laneways of Chippendale will be filled with the most daring works and performances from this bustling creative community. This year’s themes are ‘Revitalisation’ and ‘New World Cities’, with BEAMS embracing works that open up new dialogues on the future of Sydney’s urban landscape.
The festival is nurturing up-and-coming artists, giving them the opportunity to be displayed in a vibrant festival environment alongside some of Australia’s most talented artists, musicians and performers.
Chippendale Creative Precinct
Saturday, 21 September, 2013, 5-10pm
Balfour and surrounding streets, Chippendale


Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...
Enrico Taglietti AO met his future wife Francesca (Franca) while they were both studying at the Politecnico di Milano (Milan Polytechnic), with Taglietti completing his...
Visually, the work unfolds like a page from a storybook. Figures appear to stand together, perhaps even holding hands. Boe’s work references the proclamation boards...
Genuine reflection, the quiet, unresolved, sometimes uncomfortable kind, feels increasingly rare. We are seldom invited to sit with what we do not yet understand. This...
As the title Westwood | Kawakubo suggests, the National Gallery of Victoria’s (NGV) latest fashion exhibition plays to the idea that these two titans of...
Operating within a commercial framework yet not representing artists, Project8 allows for a greater sense of curatorial freedom, privileging thematic and carefully considered exhibitions over...
Ron Mueck’s shockingly alive sculptures hit us at many points along the pathway from birth to death. But it’s more than just mortal decay that...
Women Photographers 1900–1975: A Legacy of Light draws on more than 300 photographs and photomedia from the National Gallery of Victoria’s (NGV) collection and the...