Amy Lee Sanford: Cascade
Encountering the foreign landscapes of historic Hill End in NSW, Cambodian artist Amy Lee Sanford explores the fine line between the familiar and unfamiliar in her latest exhibition. Living in a wholly different environment as part of her one-month residency, the artist’s practice visually broke down the process of how notions of the foreign are made known, both internally and externally, personally and interpersonally. This gradual encounter with the new and unfamiliar inspired the title of series Unfolding.
Intimate and reflective, this exhibition promises to reveal intriguing insights into how we interact with the strange and new.
EXHIBITION
Bathurst Regional Art Gallery, NSW
27 November 2015 – 31 January 2016
www.bathurstart.com.au
Amy Lee Sanford, Full Circle, Day 5 N.D., digital image of the durational performance Full Circle, consisting of the artist breaking and repairing 40 Cambodian clay pots, before returning the transformed clay pot to the circle.
Image courtesy of the artist and Bathurst Regional Gallery, Bathurst.
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...