I Am, You Are, We Are, They Are
Four Sydney artists bring to light the multicultural image of Australia - exposing the issues and questions that surround its identity.
Curated by Tian Zhang, I Am, You Are, We Are, They Are brings together the voices of Abdul Abdullah, Idil Abdullahi, Liam Benson and Amala Groom to present their givings and misgivings about identity politics in Australia.
Using personal approaches, each work extends to explore larger political and social issues – unravelling ideas of identity, representation, visibility and belonging. The use of art to make visible the less discussed topics in mainstream media adds depth to the discussion of identity. Between the four artists, works specifically explore national policies, issues or imagery; including Aboriginal Sovereignty, Islamophobia, women’s rights, refugees and the LGBTIQ community.
Whether charged and provocative or indirect in their subtlety, each work results in a balanced exhibition that explores the multifaceted nature of Australian identity.
With an engaging program (see below) I Am, You Are, We Are, They Are invites you to join the discussion of what constitutes ‘Australianness’, a topic that is as fluid and diverse as the identities that make it up.
PANEL DISCUSSION – FREE
Saturday 22 April 2017, 1.30pm-3pm
Join the artists Abdul Abdullah, Idil Abdullahi, Liam Benson and Amala Groom, exhibition curator Tian Zhang and panel moderator Mikala Tai (Director, 4A Centre for Contemporary Asian Art) in a lively discussion about who we are as a nation.
HENNA WORKSHOP WITH IDIL ABDULLAHI
Saturday 6 May 2017, 11.30am-1pm
Cost: $10
Learn to make your own henna and enjoy a relaxed afternoon creating and applying your own designs. Find out about the use of henna in Idil’s art practice and design.
EXHIBITION
I AM , YOU ARE, WE ARE, THEY ARE
Opening Saturday 25 March
Until 14 May
Peacock Gallery and Auburn Arts Studio
Courtesy the artists and Peacock Gallery and Auburn Arts Studio.


For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The girl with...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...