Sam Field’s paintings humbly tackle the complex puzzle of Australian cultural identity, traversing history, landscapes, folklore, popular culture and politics.
In Tonee Messiah's new work, familiar movements and spatial relationships have been reanalysed by the unexpected confines of her home during the COVID-19 lockdown.
In Issue 42, Robyn Sweaney spoke about her artistic journey from the interior realm of the still life to nostalgic suburban streetscapes.
In Issue 46, Artist Profile travelled to Bruce James' home and studio in Ayr, North Queensland, as the artist prepared for his first solo exhibition.
Spirals of smoke eddy voluptuously through the dense black fields of Paul Uhlmann's recent canvases.
An exhibition spotlighting the ongoing hardships experienced by many South Coast artists following the recent bushfires.
Joseph Beuys Cafe is a small Melbourne gallery established by collector Ian George, showcasing his extensive collection of works by Joseph Beuys.
In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.
Lisa Reihana draws from her own Maori culture to bring Maori histories to life, extending breath into contemporary and recent narratives.
David Noonan’s exhibition ‘Stagecraft’ at Art Gallery of Ballarat is evocative of personal and collective memories.
What kind of book might an artist and a writer create together, given free reign?
Dale Frank’s work from the early 1970s to now appears to be without a beginning or an end, constantly evolving from one work to the...
Grace Blake’s installations are visions of ecologies that pose doubt and aporia, speaking to present-day realities and anxieties.
Roger Kemp spoke another language – it was his language – and he tried to explain it to us.
The main goal of a progressive contemporary artist should be to attempt to understand the world they live in – only then can meaningful change...
Dean Cross uses his background in dance to explore temporal reactions to everyday life.
In the midst of COVID-19, many galleries have closed their doors to the general public. However, there is still art to be found.
The genesis of Australia’s feminist art movement can be traced back to the 1970s, as one of its founders, art historian Janine Burke, recounts.
Some of the most compelling criticism on Instagram takes form as memes...
Who do you dress up for? Men or women? You might have been asked this question in the 1980s, when querying gender identity and sexual...
In her inaugural solo exhibition, emerging Tasmanian artist Zoe Grey traces her intimate connection to the remote coastal town of Marrawah.
When viewers of Acute Misfortune first catch sight of Daniel Henshall playing artiste maudit, Adam Cullen, they may experience a flash of déjà vu.

