As he has refined his understanding of Byzantine traditions, Leonard Brown has brought expanding sensitivities to his abstracts.
A group exhibition examining the ways in which contemporary painting might be encountered within an expanded field.
Congratulations to Natasha Walsh for receiving the the 2018 Mosman Art Prize!
Michael Zavros is well-known for his supreme fluency with paint, yet his printmaking practice lingers in the shadows.
Sydney artist Kai Wasikowski chats about the raft of ideas, inspirations and processes driving his photographic practice.
‘HERE&NOW 18' presents newly created works that respond to the challenge of contemporary art set by Marcel Duchamp 100 years ago.
Marisa Purcell’s new series of linen canvases hang like curtains, representing the way the brain erects definitive boundaries to construct reality.
‘Baldessin/Whiteley: Parallel Visions’ brings together the work of two major figures of 20th-century Australian art, for the first time.
While Rick Amor is best known for his evocative paintings, printmaking is a vital part of his practice.
In Issue 43, Melbourne artist Ali McCann speaks about the unique processes behind her carefully constructed photographs, videos and sculptural works.
Returning home to Brisbane for the first time in thirteen years, Amanda Penrose Hart presents a new series of landscape paintings for her inaugural exhibition...
Remembering the incredible life of Charles Blackman OBE, who has passed away one week after his 90th birthday.
The first major survey exhibition of Alexander McKenzie showcases forty-two major works tracing a luminous career in painting.
Geoffrey de Groen says he’s endlessly interested in 'silence, stillness, darkness'
The 2018 TarraWarra Biennial harnesses the wild, intangible forces that animate behaviour.
Ryan Presley’s new series is the fruit of one month spent in the Nancy Fairfax Artist-in-Residence Studio.
The poetic paintings of Caroline Rannersberger distill the dualities of the natural landscape; that it is immovable yet in flux, timeless and palpably present.
In his 82nd year, William Robinson remains committed to taking his paintings into new territory.
'Stain me with the intensity of black' surveys the multidisciplinary practice of Patricia Wilson-Adams.
‘New Sacred’ explores ritual and folklore in contemporary Australian art.
Ian Friend's works on paper hark back to the soft light and chalky landscape that washes across time, space and place.
‘Daneha’, translating to ‘seeds’, explores the identities and stories of the Afghan community in Blacktown.
The inaugural Yalingwa exhibition celebrates the significance of family, community and humour in contemporary Aboriginal life.
Adelaide artist Andrew Clarke chats to Artist Profile about his colour-focused new series of paintings, 'Mephistopheles' Yellow Vacuum Cleaner'.
Melbourne artist Kristian Laemmle-Ruff focuses his lens on the Woomera Prohibited Area (WPA), drawing attention to violent imperialist activities that scar the beautiful Country of...