The oeuvre of South African artist William Kentridge is a crucible of art, ideology, history and memory.
Reclusive New Zealand artist Martin Thompson proved to be a hard person to track down.
In Issue 44, Richard Bell takes us into his studio and talks about his provocative 2019 Venice Biennale proposal
The annual Koorie Art Show showcases the diverse talent of Victoria’s Aboriginal and Torres Strait Islander artists
Indigenous Australian artist Jenny Crompton creates effervescent sculptures that ignite environmental awareness.
Artist Profile chats to Sydney artist Matthew Bromhead about his various methods of making.
The paintings, sculptures and films by British artist Toby Ziegler excavate the various fissures that exist between formal and conceptual thresholds.
Caroline Zilinsky’s new series visualises the real-life stories of local and political identities tinged with absurdity.
In Issue 42, 2018, Canberra-based artist Hannah Quinlivan spoke about her complex methods of making in the expanded field of drawing.
No nation on earth can match Australia’s enduring love of art prizes. It reflects our obsession with sport, allied with the perennial Cultural Cringe.
Science combines with Romantic ideas in the work of Emily Parsons-Lord to create explosions, experiments and ephemeral installations that examine Nature under all its guises.
Bridget Macleod speaks to Adam Pyett about the personal importance of producing a 'rewarding painting'.
Striking concentric circles and rarrk cross-hatched designs hypnotise and enthral within John Mawurndjul’s bark surfaces.
‘The 1818 Project' exhibition at Newcastle Art Gallery is a complex and bold experiment.
Singapore’s cultural efflorescence over the past decade has been a source of wonder even to the Singaporeans themselves
A new exhibition at Heide Museum of Art commemorates the life and work of the late Mirka Mora (1928 – 2018).
Judith Pugh reviews the inaugural Biennale of Australian Art at Ballarat.
Kristin Headlam’s series of 64 etchings, 'The universe looks down', responds to Chris Wallace-Crabbe’s eponymous epic poem.
Juz Kitson is an Australian artist working out of the historic town Jingdezhen, the ‘porcelain capital’ of China.
A new partnership is bringing art out of the galleries and into the sleek foyers and corridors of the corporate world.
Dagmar Cyrulla's contemporary muses raise ontological questions about what it is to be human in a virtual world.
Emerging Hobart artist Alana Collins speaks about the inspirations and processes driving her drawing practice.
‘Kevin Connor: The Forever One Day’ surveys the vigorous career of one of Australia’s most renowned urban expressionists.
A forerunner of the new wave of Australian artists employing experimental approaches to ceramics, Toni Warburton has been working with clay since the 1970s.