Michael Young looks at the shortcomings of the Sydney Biennale's digital offering during COVID-19.
It may be difficult to name an Australian painter who creates work with as much intellectual rigour as Tom Polo.
As an Asian in Australia I have always been aware of the fissures and cracks in the colonial project of White Australia.
Writing after the death of Joseph Beuys, Andy Warhol declared that ‘people will be discussing new beauty in Beuys as long as there are people.
‘View from a Bridge’ at Roslyn Oxley9 Gallery is Callum Morton's first show in Sydney in eight years.
The affinity that Indigenous people feel for the land is integral to Warwick Thornton’s art through both his cinematic work and his photography.
Sam Field’s paintings humbly tackle the complex puzzle of Australian cultural identity, traversing history, landscapes, folklore, popular culture and politics.
In Tonee Messiah's new work, familiar movements and spatial relationships have been reanalysed by the unexpected confines of her home during the COVID-19 lockdown.
In Issue 42, Robyn Sweaney spoke about her artistic journey from the interior realm of the still life to nostalgic suburban streetscapes.
In Issue 46, Artist Profile travelled to Bruce James' home and studio in Ayr, North Queensland, as the artist prepared for his first solo exhibition.
Spirals of smoke eddy voluptuously through the dense black fields of Paul Uhlmann's recent canvases.
An exhibition spotlighting the ongoing hardships experienced by many South Coast artists following the recent bushfires.
Joseph Beuys Cafe is a small Melbourne gallery established by collector Ian George, showcasing his extensive collection of works by Joseph Beuys.
In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.
Lisa Reihana draws from her own Maori culture to bring Maori histories to life, extending breath into contemporary and recent narratives.
David Noonan’s exhibition ‘Stagecraft’ at Art Gallery of Ballarat is evocative of personal and collective memories.
What kind of book might an artist and a writer create together, given free reign?
Dale Frank’s work from the early 1970s to now appears to be without a beginning or an end, constantly evolving from one work to the...
Grace Blake’s installations are visions of ecologies that pose doubt and aporia, speaking to present-day realities and anxieties.
Roger Kemp spoke another language – it was his language – and he tried to explain it to us.
The main goal of a progressive contemporary artist should be to attempt to understand the world they live in – only then can meaningful change...
In the midst of COVID-19, many galleries have closed their doors to the general public. However, there is still art to be found.
