'My studio is far from heavenly, and my practice nowhere near as ministerial, but I still see it as equally divine...'
The task facing the sector is to ensure that what emerges is proactive and aspirational rather than a mirror of our fears and apathy.
Personalities and figures from the counterculture movement of mid-century Italy collide with those from ancient Rome in the work of Damiano Bertoli.
Peter Cole in many ways is a regional artist – albeit one who adopts a universal perspective in his art.
Hoda Afshar is a Melbourne-based artist and scholar whose photographic practice straddles the line between staged image and reality.
Elisabeth Cummings is not a painter with a single signature. Her work is delicately wrought, possessing a palette that sways from pale to bloodied.
The work of Ken Unsworth is often labelled as conceptual. His first public solo exhibit saw him pale, bare and pinioned to the wall in a...
John R Walker's new series 'Fireground' presents a cycle of paintings pivoted on the age-old theme of destruction and rebirth.
Michael Young looks at the shortcomings of the Sydney Biennale's digital offering during COVID-19.
It may be difficult to name an Australian painter who creates work with as much intellectual rigour as Tom Polo.
As an Asian in Australia I have always been aware of the fissures and cracks in the colonial project of White Australia.
Writing after the death of Joseph Beuys, Andy Warhol declared that ‘people will be discussing new beauty in Beuys as long as there are people.
‘View from a Bridge’ at Roslyn Oxley9 Gallery is Callum Morton's first show in Sydney in eight years.
The affinity that Indigenous people feel for the land is integral to Warwick Thornton’s art through both his cinematic work and his photography.
Sam Field’s paintings humbly tackle the complex puzzle of Australian cultural identity, traversing history, landscapes, folklore, popular culture and politics.
In Tonee Messiah's new work, familiar movements and spatial relationships have been reanalysed by the unexpected confines of her home during the COVID-19 lockdown.
In Issue 42, Robyn Sweaney spoke about her artistic journey from the interior realm of the still life to nostalgic suburban streetscapes.
In Issue 46, Artist Profile travelled to Bruce James' home and studio in Ayr, North Queensland, as the artist prepared for his first solo exhibition.
Spirals of smoke eddy voluptuously through the dense black fields of Paul Uhlmann's recent canvases.
An exhibition spotlighting the ongoing hardships experienced by many South Coast artists following the recent bushfires.
Joseph Beuys Cafe is a small Melbourne gallery established by collector Ian George, showcasing his extensive collection of works by Joseph Beuys.
In Issue 45, Kevin Wilson visited Colin Pennock in his Noosa Hinterland studio to chat about the artist's incredible journey thus far.
Lisa Reihana draws from her own Maori culture to bring Maori histories to life, extending breath into contemporary and recent narratives.
